Tag Archives: Barry Tarallo

Wick’s Full Monty Isn’t Half-Bad

The Full Monty is one of those scruffy street mongrels that are undeniably cute and even inexplicably winning for short periods, but not a stray you want to take home. The Wick Theatre’s production of the musical is competent, perhaps one of the better renditions you’ve seen of it, but its not equal to the recent triumph with 42nd Street.

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Maltz’s Appealing Annie Has Adorable Orphans, Skill & Polish, But Little Magic Or Heart

The Maltz Jupiter Theatre’s sumptuous and skillful production of Annie resembles that strange holiday gift that you’re not quite sure how to react to. It’s beautifully wrapped and artfully manufactured but it’s missing the magic and heart you were secretly hoping for.

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Phone Rings, Door Chimes, In Comes A Welcome Company Concert At PB Dramaworks

You may long for Palm Beach Dramaworks’ staged concert of Company to have one more week of rehearsal just to let it ripen and deepen, but what’s on stage remains an unassailably well-crafted, well-performed, downright entertaining production of Stephen Sondheim’s Continental Divide of American theater.

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Dramaworks’ Man of La Mancha Is Far More Than Staged Concert

Beautifully sung, passionately acted and staged with as much movement and business as anyone can ask of a limited rehearsal period, Palm Beach Dramawortks’ concert version mines much of the beauty and heart from one of the most glorious scores and emotionally-affecting scripts in American musical theater.

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Dramaworks’ Fantasticks Is Cool Drink of Summer Lemonade

By Bill Hirschman A gentle, compassionate smile at human folly suffuses The Fantasticks when it’s produced as well as Palm Beach Dramaworks has. Tom Jones and Harvey Schmidt’s classic chamber musical is a refreshing tumbler of iced lemonade on a …

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Working Is A Successful Labor of Love At Caldwell Theatre

  By Michelle F. Solomon When Grammy-winning composer Stephen Schwartz (Godspell, Wicked, Pippin) first adapted Studs Terkel’s 1974 book Working for Chicago’s Goodman Theatre it was 1977. Terkel’s book was an oral history of working life; its complete title was …

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