Tag Archives: Caleb Scott
Amid Violence, Gay Sex and Kidnapping, ‘Borrowed’ Dissects Troubled Father-Son Relations
The world premiere in Miami of Borrowed examines with emotion and specificity the lasting tragic damage of father-son and son-father relationships that imploded years earlier. With copious violence, sex and profanity, Jim Kierstead’s first script is far from subtle but also unafraid to look deep into complex legacies wrought by ancient family dysfunction.
Miami New Drama’s 7 Deadly Sins Is A Singular, Year-defining Theatrical Experience
It was only a matter of time until one of South Florida’s most experimental companies would find a way to produce theater outside of a theater. Nine months into a pandemic, the sheer existence of Miami New Drama’s experiential short-play collaboration 7 Deadly Sins feels as surreal as it is miraculous.
Seven Deadly Sins Is Return To Live Theater In Miami
Nine months into the country’s battle against COVID-19, Miami New Drama and its boundlessly imaginative artistic director, Michel Hausmann, have figured out a way to turn vice into virtue, exploring the seven deadly sins in an ambitious return to live theater beginning Nov. 27.
GableStage Opens Season Of Premiered Multi-Media Work
The actual stage at GableStage may be dark, but the company has replaced the rest of its virus-interrupted 2019-2020 season with a glimpse of what may be one of the evolving facets of the future of theater. It has commissioned 12 area artists to produce nine online projects that meld traditional theater with digital storytelling.
World Premiere ‘The Cubans’ Delves Into Family Generations
Michael Leon’s world premiere The Cubans at Miami New Drama delivers an almost tactile depiction of how an extended family with multiple generations prioritize family unity while trying to preserve their culture and values against social pressure to assimilate and their children embrace a diverse outside world.
Dracula’s Prey At Zoetic: No Helpless Fainting Victims Here
In Zoetic Stage’s premiere Dracula, the vampire is a sexist pig (as are several men in the play). The protagonists are strong-willed proto-feminists. Together, they embody a society struggling with re-envisioning what self-empowered women can and should be. Michael McKeever’s script as directed by Stuart Meltzer presents social commentary told with droll, wry and self-aware humor, and the retelling of the classic horror narrative.
Dancing Lessons Teaches More About Life Than Fancy Steps
Dancing Lessons is punctuated with interpersonal strife, frustration, heartache and some very funny moments. But mostly Zoetic Stage’s production is a warm quiet sustained smile for a warm quiet early spring night.