Tag Archives: Elijah Word
Zoetic’s Cabaret a game changer
By Oline Cogdill When the John Kander/Fred Ebb musical Cabaret opened on Broadway in 1966, it was a gamechanger in its staging, tone and story. Certainly, other musicals tackled politics in specific eras—such as Sound of Music (1959) and …
Actors’ Playhouse Delivers A Margaritaville That Jimmy Buffett Would Drink To
Escape to Margaritaville at Actors’ Playhouse accomplishes what its title suggests. Specifically, the show conjures the kind of laid-back escape during which you might sport a hat and sunglasses, and hold a tall drink topped with a cherry or pineapple. In between sips, you snap, clap, tap, and/or sing along to Jimmy Buffett’s greatest hits.
Once On This Island Is Glorious Tale of Storytelling And Song
Get yourself down to where Slow Burn is delivering a gift you’ll prize for a long time to come: Once On This Island is a glorious evening of storytelling and song, myth and magic infused with joy, passion and a deep belief that love is that saving grace of complex human existence.
Get In Step With Slow Burn’s Entertaining Kinky Boots
Put aside the messages of acceptance, being comfortable in your own skin, family bonds and making your own path, Slow Burn Theatre gifts audiences with the sheer entertainment in its Kinky Boots, pulling together high-step dancing—and we do mean high with those boots—to the enthusiastic singing to the solid acting.
Stage Door’s La Cage Surely Entertains But Feels Lackluster
Broward Stage Door’s La Cage aux Folles stresses the universal virtues of love and loyalty, delivered with only a wry smile to acknowledge that its protagonists are an aging gay couple including one drag queen. While undeniably entertaining and featuring some rich voices, this edition is noticeably missing some of the pizzazz that the material requires to make it a memorable evening.
Wick Continues Love Of Herman With Re-Imagined ‘Jerry’s Girls’
This familiar musical revue of Broadway legend Jerry Herman’s hits and misses, Jerry’s Girls, has been reimagined for the Wick theatre by Herman’s buddy Lee Roy Reams and performed by a company including Susan Anton. Like Herman’s repertoire, this Jerry Girls struggles with the same delicate balance of hits and misses.
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