Tag Archives: Irene Adjan
Sidekicked From Boca Stage Shows Us The Tears of a Clown
Acting is not easy, or more people would do it, but imagine having to create not just a make-believe character, but a person who not only existed in real life, but was loved and adored by fans around the world. And then imagine that person suffered from mental illness as well. Such is the task set before actress Irene Adjan, starring in a one-woman show as the legendary Vivian Vance in Sidekicked at the Boca Stage.
Tracy Jones Is Gentle Comedy of Lonely People Trying to Connect
Tracy Jones bowing at Island City Stage is a comedy masking lonely people trying to make connections they don’t have the skill to achieve. It’s a briskly-moving smile with quirky characters who may be nursing poignant secrets but who have no hesitation throwing food at each other like in a Three Stooges short.
Cut Loose With Slow Burn Theatre’s Rousing Footloose
A hallmark of Slow Burn Theatre Company is its knack in finding new, mostly young talent and shaping those performers’ creativity. That approach—and this current round of talent—are on full display in the high energy, highly entertaining production of Footloose, now at the Broward Center.
Milk and Honey Is Charming Musical, But Very Much the ’60s
Unabashed charm is not a quality one associates with modern musicals, but it is the predominant and reasonably satisfying virtue if you take the Wick Theatre’s time machine back 61 years to the opening of Milk and Honey, the first full-length musical by promising newcomer Jerry Herman.
Murder on the Orient Express Reimagined as Comic Trip
Do not go to Actors’ Playhouse’s Murder on the Orient Express expecting the grim locked-room mystery at the heart of the films or the novel. This 2017 edition is penned by the playwright of Lend Me A Tenor. If you can wipe the tone of those earlier efforts from your mind, you will likely find yourself chuckling much of the night at these theater veterans turn the Christie classic into a cute, often quite funny two-hour comedy sketch.
Despite The 10-Foot Star, ‘Mastodon’ Not Just Child’s Play
Yes, there is broad humor, over-the-top characters, cartoonish sets, a fairy tale vibe and a 10-foot tall puppet, but Theatre Lab makes it clear that Rachel Teagle’s world premiere script of The Impracticality of Modern-Day Mastodons is not children’s theater, but an adult evaluation of dreams.
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