Tag Archives: Avi Hoffman
GableStage takes a break from race relations and Arthur Miller to create Boca, a chuckle-fest as well-constructed and skillfully executed as any episode of The Golden Girls, the Mary Tyler Moore show or a Carol Burnett skit.
Avi Hoffman is ensuring that proper homage is paid to Joe Papp, the visionary who intersected art and community by making theater accessible to the general public in comprehensibility, neighborhood performances and free admission in “Joe Papp at the Ballroom,” a one-man musical world premiere playing a limited run at GableStage.
Echoing the resurrection of local theater, the new artistic director Bari Newport will inaugurate GableStage’s 2021-2022 season in November directing the late Joseph Adler’s detailed plan for The Price — the first title in an eclectic season featuring a musical and world premieres.
GableStage’s 23rd season under its new producing artistic director Bari Newport will have more productions and additional performances in what is currently planned to be offered in full houses. The schedule is unveiled here.
Home is the place where they have to take you in, to paraphrase Robert Frost. It’s also the place where every family dynamic plays out — love, resentment, growing pains, conflict, chaos, worry and secrets — as shown in the Maltz Jupiter Theatre’s superb production of Brighton Beach Memoirs, smoothly directed with a first-class cast, the Maltz production hits all the high notes
With the Maltz Jupiter Theatre’s upcoming Brighton Beach Memoirs, director J. Barry Lewis says people need to “come forward with a new perspective on what a Neil Simon play is, not just what you think.”
GableStage’s rendering of Paula Vogel’s Indecent is freshly distinctive from Rebecca Taichman’s New York staging and from the rapturously received version that Palm Beach Dramaworks delivered last season. It’s not better or worse; it is its own. And its quality takes a back seat to no one.
Palm Beach Dramaworks’ Indecent is precisely the kind of thrilling evening that glories in what theater can be – a unique art form that cannot be matched by anything on film, anything hanging on a wall, anything reproducible on an mp3 or an mp4.
Paula Vogel welcomes, even celebrates how imaginative directors and committed casts use her work as a starting blueprint for their own explorations. She is pleased that this week the team at Palm Beach Dramaworks will unveil their particular vision of Indecent, just one of 20 productions that have been or are being mounted around the country last season and this season.
Revelation after revelation – none of which the playwright wants us to spoil – are exposed like the proverbial peeling of an onion until the underlying secret lays naked in the world premiere of Ben Andron’s Broken Snow at the J’s Cultural Arts Theatre in North Miami Beach.