Tag Archives: Laura Turnbull
A double sense of “life after death” pervades the touching and beautifully rendered The Tin Woman drama suffused with wit now playing at Actors Playhouse as spring slides into summer.
Twenty-seven theater artists and organizations will receive the eighth annual South Florida Silver Palm Theatre Awards honoring an outstanding or unique contribution,” the group announced Monday.
I’ll Eat You Last: A Chat With Sue Mengers at GableStage is an acerbically delicious cross between a gossip fest and a memoir of the legendary Hollywood super-agent of the 1970s, brought to life by the exquisite Laura Turnbull under Michael Leeds’ deft direction.
South Florida Theater patrons checking and responding to email during a performance has mushroomed in recent years, but it reached a high water mark last week indicating a worsening of the collision of technology, performance art, the obsession with staying connected and the etiquette of communal interaction.
Michael McKeever’s stunning world premiere play Daniel’s Husband at Island City Stage is an indelible and inarguable exhibit that love between human begins is unquantifiably precious and inarguably valid — regardless of sexuality.
Lanford Wilson’s wistful and whimsical play Redwood Curtain postulates that the past we stock our psyche with becomes something integral to our being that has to be faced down if we are to move beyond it. It gets a well-meaning outing from the fledgling Primal Forces Production. It’s an intriguing evening that starts the brain cogitating about the themes, but as theater it doesn’t land solidly.
This Into The Woods by DreamCatcher Theatre and Theater Up Close is so heartbreakingly uneven that it may bring Sondheim lovers close to tears. Long stretches are so skillfully and lovingly executed that you want to cheer. Others fail to conquer this difficult work. But the misstep is the high-profile casting of Tituss Burgess in the linchpin role of the Witch.
Fine acting and direction elevate a script that navigates intellectual mazes and human emotions in The How and the Why at Theatre At Arts Garage.
From the first tinkling of the bouzouki, Palm Beach Dramaworks’ mounting of the rarely-seen Kander and ebb musical Zorba! fairly throbs with life-affirming spirit in direct spite of the vagaries of Fate.
Under the vanities and inanities, the witty literary allusions and the silly sight gags, “Vanya and Sonia and Marsha and Spike” gently pokes fun at people who have wasted their lives. But don’t fret, mostly director Joseph Adler and his cast deliver a good old-fashioned, absurdist character comedy at GableStage.