Tag Archives: Lito Becerra
PPTOPA’s earnest, merely passable production of Cabaret is notable for a few solid performances, but especially for the script which, decade after decade, becomes an increasingly relevant warning. Even more than the original stories, Masteroff’s 1966 “book” warns of an everyday populace willing to accommodate the rise of a totalitarian regime that promises answers, even to the point of self-inflicted blindness to its dangers.
It takes courage to mount a play whose 1992 film version is as iconic as A Few Good Men with an unforgettable performance by Jack Nicholson . But this production of Aaron Sorkin’s play by Pembroke Pines Theatre of the Performing Arts is a promising harbinger as the long-time community theater’s second production as a professional troupe.
In Waiting For Godot, that classic of the Theater of the Absurd, nothing is more absurd than Man’s insistent search for some meaning in life. In Evening Star Productions’ courageous run at this Everest of a play, their response is broad comedy suffused into the intentionally pointless and protracted slog that is Beckett’s brilliant but unsettling manifesto of existentialism.
In Evening Star’s Murdered To Death, this comic murder mystery satire becomes so supremely silly with slapstick, overheated melodrama and an endless supply of verbal blunders that the actors have little recourse but to succumb to the infectious laughter from the audience.