Tag Archives: Seth Trucks
Bent deserves honor for putting recognizable human beings amid Hitler’s decimation of homosexuals during the Holocaust – and re-reminding the public of this horror. But rising above the gender topicality of Sherman’s script in Empire Stage’s uneven, but ultimately scorching production are universal issues about the challenge of preserving yourself basic humanity in such times.
Eytan Deray’s courageous world premiere Educating Asher at Empire Stage – courageous not only because it has been drawn from the marrow of his being as playwright, but courageous because he also performs it, unreined and uninhibitedly without any self-serving censorship.
Do not go to Actors’ Playhouse’s Murder on the Orient Express expecting the grim locked-room mystery at the heart of the films or the novel. This 2017 edition is penned by the playwright of Lend Me A Tenor. If you can wipe the tone of those earlier efforts from your mind, you will likely find yourself chuckling much of the night at these theater veterans turn the Christie classic into a cute, often quite funny two-hour comedy sketch.
The moment after the house lights go down at Actors Playhouse, there’s a percussive warmup of Latin beat and then the auditorium explodes with a blinding almost deafening assault of light, sound and vivacity as you are immersed into the Gloria Estefan and the Miami Sound Machine’s iconic “Rhythm Is Gonna Get You.” Odds are you’re a goner from that moment on.
The “horror” in Zoetic Stage’s Frankenstein shares little kinship with the film monster with bolts in his neck terrorizing the countryside or even the 1818 novel of science gone wrong. But a different very contemporary terror is there all the same from the breath-taking wordless prologue of a stitched together embryo clawing out of a pod to the silent final image of two bodies crawling through Arctic waste.
A look back at 2020: Yes, South Florida theater was crippled by the pandemic. But its acolytes remained driven to express their artistry, and patrons remained ravenous for their work. They continued to explore projects, create avenues and seek paychecks with efforts ranged from filmed full-fledged productions to monologues newly penned in bedrooms.
With exploratory baby steps, South Florida theater companies are staging events: A cut-down Hamlet by the Shakespeare Troupe, a filmed full production of Closer Than Ever by MNM, and Patti LuPone in a livestreamed concert for the Broward Center.
Plenty of laughter, and quite a few tears, punctuate the dramatic comedy, or comic drama, if you prefer in A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan Kettering Cancer Center of New York City, receiving an energetic, perceptive production directed by Keith Garsson at Primal Forces in Boca Raton.
By Bill Hirschman The ominous omens in New City Players’ energetic and passionate Macbeth actually portend promising things for South Florida theater. The rarely spoken of deficiency in offerings and performance in local theater is Shakespeare. Only a handful of …
Peter Wayne Galman in Thinking Cap Theatre’s production is a likeable Lear. He’s also narcissistic, ego-centric, driven, demanding, confused, playful and timeless. It helps that Galman delivers William Shakespeare’s poetry like the masters – think Ian McKellen, Sir John Gielgud. There isn’t a word that isn’t sacrosanct. He relishes the work, and, in turn, audiences will, too.