Tag Archives: Zoetic Stage
As live arts and entertainment return in fits and starts, and our culture continues its tortoise crawl toward normal, one thing has become apparent: Face masks may be vital in impeding the spread of COVID-19, but they equally hamper the spread of comedy. The debut of Zoetic Schmoetic showed the more physical the show becomes—the more the actors’ bodies, not their voices, drive the storytelling—the better it gets.
The Finstrom Festival of New Work, a new national playwriting contest, has just opened for entries – a competition whose finalists will undergo workshops, staged readings and possibly a full production at Zoetic Stage in Miami.
A look back at 2020: Yes, South Florida theater was crippled by the pandemic. But its acolytes remained driven to express their artistry, and patrons remained ravenous for their work. They continued to explore projects, create avenues and seek paychecks with efforts ranged from filmed full-fledged productions to monologues newly penned in bedrooms.
The 44th Carbonell Awards celebration was unique, not simply because it was online, but because of its acknowledgement of the diversity of the theater community. Honoring excellence for 2019, the awards, which have been quietly accused of not reflecting diversity, pointedly went out of its way to be inclusive in its annual celebration.
The Arsht Center for the Performing Arts announced titles and dates for its Theater Up Close series, slated to begin in early December with locally-produced works from Zoetic Stage and City Theatre including world and regional premieres. But officials do not know whether the coronavirus will force changes in the schedule.
Trivia contests, master classes, solo performances, new play development online, lectures, podcast-like schmoozing interviews, requests for video audition, 24-hour theater projects, even soliciting subscriptions for specific dates. The ghost light may be lit across the South Florida theater scene, but nearly every troupe is aggressively keeping the genre’s profile inescapable.
PART TWO: One month into the nation-wide shutdown of live communal theater due to COVID-19, South Florida companies, like those in so many other regions, are trying to write Act Two with little clue how Act Three will play out. In this first of two parts, leaders from local companies and venues a limn this tale of confident hope and chilling fear, cold balance sheets with seven digits in the red, and blue sky imagining what theater will look like in two, three, 18 months.
PART ONE: One month into the nation-wide shutdown of live communal theater due to COVID-19, South Florida companies, like those in so many other regions, are trying to write Act Two with little clue how Act Three will play out. In this first of two parts, leaders from local companies and venues a limn this tale of confident hope and chilling fear, cold balance sheets with seven digits in the red, and blue sky imagining what theater will look like in two, three, 18 months.
In-depth report: Sets still standing on stages are silent pledges that these productions and theater itself in South Florida will resume – albeit in what many believe will be a different world. But what that cultural world will look like for audiences and artists could not be more uncertain, say theater professionals who have had to rethink and rethink again their plans. It’s different from when other disasters have struck Florida like hurricanes; this one may be open-ended.
Amid a backdrop of changes and challenges, the Carbonell Awards nominations were released Tuesday recognizing excellence in South Florida professional theater. Classics, world premieres marked the list for the April 6 ceremony. Palm Beach Dramaworks not only earned the most nominations of any company – 29 in 16 out of 20 categories – but multiple nominations for every single one of its 2019 productions.