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Clyde’s launches Zoetic Stage’s 14th season
By Oline H. Cogdill A sandwich is more than ingredients between two slices of bread at Clyde’s, the truck stop diner that is the setting and title of Lynn Nottage’s deliciously insightful play now receiving a superb production at Zoetic …
Slow Burn’s Practically Perfectly Delightful Mary Poppins
Of course, Mary Poppins does fly in Slow Burn Theatre Company’s glorious production at the Broward Center for the Performing Arts. As the song goes, this Mary Poppins is “Practically Perfect,”
Complex Modern Relationships X-rayed In Island City’s “I Wanna F%&ing Tear You Apart”
The strength and vulnerability of non-sexual but emotionally intimate friendships are not focuses in 20th Century theater. But in works written by a new generation of playwrights, these relationships are increasingly in the spotlight. Such is I Wanna Fucking Tear You Apart, a dive into the deterioration of the bond of two would-be writers.
Part 2: I’m Still Here: SoFla Theater’s Epic Journey Through the Pandemic and Beyond
Part 2 of a 4-part in-depth series tracking South Florida theater’s arc of paralysis and pivot through the pandemic and into the future, certainties becoming uncertain, and an unquenched drive to not just survive but prevail, worthy of a Shakespearean epic. Today, theaters and artists begin their struggle back.
I’m Still Here: SoFla Theater’s Epic Journey Through the Pandemic and Beyond
Part 2 of a 4-part in-depth series tracking South Florida theater’s arc of paralysis and pivot through the pandemic and into the future, certainties becoming uncertain, and an unquenched drive to not just survive but prevail, worthy of a Shakespearean epic. Today, theaters and artists begin their struggle back.
Report From New York: ‘American Buffalo’ Again Dives Into the Nation’s Lower Depths
In a cold analysis, nothing much actually happens in the narrative sense during David Mamet’s 1975 dive into the social gutter of the 20th Century United States, the classic American Buffalo. But there is more tension, more multi-level relationships, more vibrant characterizations in this 83rd revival at Circle in the Square than in several recent epics on Broadway.
Sorry, Can’t Resist: PPTOPA’s Gleeful ‘Something Rotten’ Isn’t
You don’t have to know that Sondheim and Webber share the same birthday to adore the broad send-up of musical comedy tropes melded with an equally wicked spoof of Shakespeare in PPTOPA’s Something Rotten — which isn’t.
Post-Partum Woes Turn to Madness in Theatre Lab’s Bow Overactive Letdown
Buckle up if you’re attending the world premiere run of Overactive Letdown at Theatre Lab as a new mother spirals out of control in a harrowing descent into madness. Crumbling under the post-partum pressures of caring for an infant, aggravated by today’s tsunami of parenting dictates, our heroine Christine’s considerable intelligence, humor and charm evaporate.
Growing Fear In The People Downstairs Is All Too Familiar
Theater is often political: but sometimes, like The People Downstairs, Michael McKeever’s harrowing world premiere at Palm Beach Dramaworks, the relevancy of the Dutch people hiding the Anne Frank family only magnifies as current events overtake them.
Dire Ecology & Economy Eclipsed By Relationship Challenges in New City Players’ Lungs
The protagonists’ primary fear in Lungs — bringing a child into an environmentally crumbling world and an economy in freefall – is secondary to the challenging script’s focus: examining the fragility and tensile strength of relationships – both given a solid production by New City Players.
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