Tag Archives: Clive Cholerton
If Dickens’ opening line in A Tale of Two Cities has become a trite cliché through overuse it has become a painfully accurate truism about theater over the past two years, especially South Florida theater. Crippling loss and inspiring resurrection. Surrender and perseverance. And , now, the Covid threat has reasserted. But looking back on those two years delivers a testament worth celebrating and learning from.
American Son at Zoetic Stage doesn’t offer solutions to the complexity of race so much as explore with increasing intensity the exact craggy contours of the gulf. Christopher Demos-Brown’s play brings the audience alongside those struggling with the conflicting and seemingly irreconcilable pressures on not just African-Americans but everyone awash in the social maelstrom.
When Christopher Demos-Brown’s racially charged drama American Son — which has played in other cities and bowed on Broadway — finally opens this week at Zoetic Stage in Miami, it will be, as director Stuart Meltzer says, “a homecoming.”
They make it look so easy.
The 23rd annual City Theatre Summer Shorts crew slip seamlessly from broad comedy with a hint of a moral to bittersweet drama with a soupcon of dry wit and back again in nine separate playlets.
Homicidal rage against a corrupt world spews into the audience in Palm Beach Dramaworks’ Sweeney Todd. But its singular spin is that the serial throat-slitting barber does not start as a vengeance-obsessed fiend. It it adds a dimension of, not forgiveness, but compassion to this cross between gleeful Grand Guignol and merciless condemnation of socio-economic inequity.
Those who love Stephen Sondheim and Sweeney Todd in particular should come with an open mind to this month’s edition at Palm Beach Dramaworks expecting a different spin on the material.
The South Florida Silver Palm Theatre Awards committee honoring theatrical excellence in South Florida will present the award to 28 individuals and organizations in its ninth season. Recipients range from veterans like Joseph Adler to newer names like Aygemang Clay.
A deeply polarized citizenry, partisans with irreconcilable ideas about the role of government, a stalled deliberative body, confusion, anxiety. Sound familiar? The current political climate has spurred Palm Beach Dramaworks to reinvent that July perennial musical 1776 to highlight the similarities between us and the Founding Fathers in its production July 1-24.
The modern musical has its glories, but none unabashedly embrace pure feeling in quite the way Tom Jones and Harvey Schmidt did in the 1960s. So be thankful for Palm Beach Dramaworks’ concert” series’ courageous celebration of heartfelt sentiment in 110 In The Shade.