Tag Archives: Broward Stage Door Theatre
The Broward Stage Door Theatre production of the 1970 musical The Rothschilds, about the famed family’s rise from the German ghetto to become on the wealthiest families in the world, is a reasonably diverting afternoon of theater worth a look at a show rarely produced, but its ultimate potential seems just a few steps out of reach.
Broward Stage Door’s Broadway Bound may not land perfectly all the time, but these theater pros deliver a no-excuses-needed effort that works often and effectively and ultimately satisfies.
Greying Boomers may instinctively resist that the music of their lives is being repackaged into stage revues with little or no story the way Irving Berlin and Johnny Mercer’s songbooks have been for the past two decades. But when it’s done with as much skill and verve as Broward Stage Door’s The Soul of Motor City, it’s hard not to get swept up.
It’s been a season of Stephen Sondheim the past 10 months or so in Florida, and Putting It Together, the musical at Broward Stage Door, puts a satisfying capstone on it as strong earnest voices tackle many songs that only addicts are aware of.
Charm, that most underrated of quiet virtues in a theater of brassy belters and in-your-face spectacle, suffuses the vagaries of a 24-year love affair in Broward Stage Door’s appealing revival of the gentle Same Time, Next Year.
A supremely confident and corrupt demagogue whips up the sheep in a populist uprising targeting a change in the government status quo. While that sounds like the latest CNN report, it’s actually Evita at Broward Stage Door which lands more effectively than any recent offering at the Margate theater.
Broward Stage Door revives its 2014 hit jukebox musical of hit tunes from the late 1950s through the early 1970s, What’s New Pussycat, with a new cast.
Broward Stage Door’s edition of Carnival, featuring one of the loveliest scores in the canon, under Dan Kelley’s experienced hand features a hard-working cast, some of whom have fine voices doing adequate justice to the gorgeous score and lyrics, but that alchemical enchantment just isn’t there.
By Bill Hirschman Pompadour, the new musical subtitled Hits, Harmony and Hairspray bowing at Broward Stage Door, is what it is and is what it wants to be. So the question that only you can answer is whether it’s what …
Any production of Gypsy that spotlights Ann Marie Olson’s golden voice can be forgiven nearly anything. But otherwise, much of this production is as thin as the tinny tracks and high school quality scenery, and sits there as unenthusing as Electra’s intentionally lackluster bump-and-grind.