Features
Charles Busch Comes To Palm Beach Without The Dress
If you’re coming to see Charles Busch camping it up in high drag at Palm Beach Dramaworks’ inaugural event in its OutStage @pbd series on Sept. 16, you’ll be disappointed. But if you’re intrigued by a theatrical meld of song and story revealing the universal resonances inside a gay icon of modern times, Busch is betting audiences will enjoy his one-night stand, An Evening With Charles Busch.
Riverside Theatre Building Its Own Housing For Visiting Artists
The Riverside Theatre in Vero Beach has come up with a solution—build its own housing for professionals which has become a major expense for many theaters.
Taking The Show On The Road: San Francisco Is A Theater Town
The Golden Gate Bridge, cable cars, Alcatraz, all beckon visitors. Yet in the popular consciousness, theater in San Francisco does not strike many as a stand-alone reason to book a week there. But a recent visit proved that the Bay Area is a cornucopia of dynamic and challenging theatrical offerings — even worth passing up tourist traps like Fisherman’s Wharf.
Broadway Comes To Miramar With Cultural Center’s Festival
A production of Dreamgirls was already planned for the Miramar Cultural Center’s summer season, but became the perfect “launching pad” for the City of Miramar’s First Annual Broadway Festival of South Florida.
McDonagh’s Signature Drama And Humor Meld In Dramaworks’ Upcoming Cripple Of Inishmaan
To avoid spoiling the specific emotional U-turns, all that veteran theatergoers need to know about The Cripple of Inishmaan opening at Palm Beach Dramaworks this month is that it’s a classic exemplar of the Martin McDonagh oeuvre that alternates raucous raunchy wit and heart-searing tragedy, sometimes punctuated with bloody violence.
Audience Decides Moral Guilt in Miami New Drama’s Terror
Most courtroom dramas metaphorically use the audience as a jury. But Terror, a German play receiving its U.S. premiere from Miami New Drama this week, literally requires the audience to vote on the defendant’s guilt or innocence to determine the outcome of the play.
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