Reviews

Thinking Cap’s Absurdist Dramedy Lets Sleeping Dogs Die

Thinking Cap’s U.S. premiere of Sarah Kosar’s Hot Dog comes across as a mean-spirited hate letter to a dying parent whose time can’t come soon enough. It’s a play about caring, yet we hardly care about anyone in it.

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Tryst Plumbs Complexities Of A Scoundrel And His Prey

A swirling spiral of emotional DNA echoes the emotional dance in The Tryst at Palm Beach Dramaworks. It’s a psychologically-rooted tale of romance, albeit an unconventional definition of romance.

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Report From New York: Mothers And Sons Charts Changes In How We View The AIDS Crisis

Terrence McNally’s drama Mothers and Sons examines the chasm that AIDS opened when troubled families were forced to face the sexuality of a loved one. But the play also shines a spotlight on that generational shift in perceptions that could only be chronicled by someone like the 75-year-old McNally who lived through that chapter of History.

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Report From New York: A Heroic And Flawed Lyndon Johnson Wields Power In “All The Way”

Robert Schenkkan’s Tony-nominated play All The Way is blessed with a fascinating portrait by Tony-nominated Bryan Cranston as LBJ, but it’s his script’s premise that makes the evening stay with the audience days later. It contemplates that the need for pragmatic sacrifices, even for the most noble of goals, can corrupt the soul.

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The Joint At The Wick’s Ain’t Misbehavin’ Starts Jumpin’ After Intermission

Something remarkable happened opening night when the band played the entr’acte to the second half of the Wick Theatre’s Ain’t Misbehavin’. What had been a merely competent if unremarkable evening of entertainment suddenly transformed. The joint, finally, was jumpin’ and it stayed that way much of the second half.

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MTC’s Everybody Drinks The Same Water Lands For Middle Schoolers, Not Younger Or Older

Even though Miami Theater Center wants “children’s shows” to be enjoyed by all generations, Everyone Drinks The Same Water is likely to be most appreciated by middle schoolers. As always, the production is splendid. But its subject matter about tolerance seems a bit too sophisticated for the elementary school and too simplistic for the high schoolers and adults.

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Dr. Ruth Bio-Play Is Charming But Not As Enchanting Or Vibrant As The Real Thing

Awash in sex, war, adversity, sex, divorce, achievement, motherhood, determination, sex, the Holocaust and sex, it’s difficult to understand how the biographical play Becoming Dr. Ruth can be mildly charming, intermittently funny, occasionally poignant but not as terribly compelling or enchanting as its heroine.

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FGO’s Thais Is Equally Lovely With Or Without Voices

Although Eglise Gutiérrez’s performance in the title role of Thais is indeed glorious, equally fascinating in the current edition at Florida Grand Opera is what happens when no one is singing.

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Report From New York: The Bridges Of Madison County Is Surprisingly Lovely, Not Syrupy

Tone is the secret behind the tragically soon-to-close Broadway production of Jason Robert Brown’s lovely, heartfelt and thought-filled musical, The Bridges of Madison County. The theatrical reimagining of the raw material strikes a tone of compassion and complexity that is virtually alien to the Harlequin romance/Lifetime Movie of the Week sensibility of the novel and the film.

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Troupe Pitches To Over 50, But It’s Not Just For Older Crowd

While it does give actors and audiences of the 50-plus demographic a forum to create, Pigs Do Fly’s Fifty Plus – A Celebration of Life As We Know It isn’t just for those fifty or older; the humorous short plays, although sometimes predictable, presented life as we all know it.

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