Tag Archives: Diana Garle
Like death and taxes, one of the few truly dependable things in life is that the venerable Summer Shorts from City Theatre is going to be a satisfying mix of light comedy with a few mildly serious moments. And its silver anniversary production remains a thoroughly entertaining source of 10-minute plays executed by a seasoned cadre of pros.
More than 60 local theater professionals contracted to work in productions in March and April have shared some of the $12,000 that South Florida Theatre League Relief Fund has raised through its ongoing project. To donate go to .www.southfloridatheatre.com.
There’s something irresistibly intriguing when a whimsical fairy tale is invoked to teach life lessons to adults. Theatre Lab’s The Glass Piano may have a befuddled king, a savvy servant and a lovely princess. But Alix Sober’s delightfully fanciful and imaginative work is absolutely not a children’s play.
A central facet of his premiere Watson at GableStage is depicting what may be the world’s first personal information disaster, a horrifying tragedy as American-licensed technology is sold to the Nazis who later use it to identify Jews for extermination. But what resonates in these times are capitalism’s responsibility to humanity, and the intentional blindness styling itself as innocent ignorance.
Few plays have been as ruthlessly photographic depicting the pornographic incest of lobbying and corruption as well as the clash of idealism and pragmatism as Sarah Burgess’ Kings, currently on the dissection tray at GableStage.
Much like the holiday season itself, there are things to endure and other instances that are jolly. That’s the mixed bag of City Theatre’s Winter Shorts now playing at the Carnival Studio Theater at the Adrienne Arsht Center for the Performing Arts.
They make it look so easy.
The 23rd annual City Theatre Summer Shorts crew slip seamlessly from broad comedy with a hint of a moral to bittersweet drama with a soupcon of dry wit and back again in nine separate playlets.
In a move that will spread the brand of Miami-based City Theatre around the world, the company begins this month producing collections of its short plays on Azamara Club Cruises luxury ships. The effort to maximize the extended use of its huge catalog of 10-minute plays represents what City Theatre sees a new producing prototype not just for itself but the theater industry.
Over 21 years, City Theatre’s ever-expanding enterprises have developed and maintained a brand-level reputation for entertaining theater; its return to cool weather programming with the current edition of Winter Shorts is just as diverting.
GableStage’s production of The Humans is like watching a Kmart photo department family portrait that has been left too near a wall heater. Almost imperceptibly, the edges start to brown, the image shudders a bit, then the edges curl ever so slightly. And suddenly, the perfect image erupts in flames.