Reviews
Avi Hoffman Leads Harrowing ‘An Iliad’ Reboot At Outre
An Iliad is a breathtaking solo show from Boca Raton’s Outre Theatre Company starring Avi Hoffman that exhumes Homer’s dramatization of the mythological Trojan War in terms we all can understand. There is colloquial language, modern-day references, video projection and audience interaction – even, occasionally, humor.
New Theatre’s Bird In The Hand Is A Flawed But Intriguing Hoot
By Bill Hirschman There’s a moment in New Theatre’s quirky and surprisingly pleasant production of Bird In The Hand that captures the offbeat vibe in this bittersweet comedic memoir about growing up in Miami. Actors are dressed to resemble flamingos, …
Kravis’ Jekyll & Hyde Is More Rock n’ Roll Extravaganza Than Musical Theater
Road show producers have reconceived Frank Wildhorn’s legitimate musical Jekyll & Hyde into an all out American Idol rock ’n’roll extravaganza complete with supposedly Edwardian characters indulging in raging melisma and ear-splitting screeches. Nothing and no one in this production is moving or thought-provoking, but then that’s not the goal. And Maroulis isn’t half bad and Deborah Cox is terrific.
Theater Shelf: Merrily, Call Me Madam, Pipe Dream, Gentlemen Prefer & NYTimes On Musicals
Theater Shelf, a recurring feature, reviews recently-released books, CDs and DVDs of interest to theater lovers. Some are popular titles like a new Original Cast Recording, others are works you’ll be intrigued by, but didn’t even know about.
Fela! Is A Stunning Homage To Meld Of Music & Social Activism
Fela! is stunning in both senses of the adjective: exhilarating to the point of paralyzing the observer with elation and overwhelming to the point of numbing the observer. Powered – and we do mean powered – by a supremely talented cast of singers/dancers/musicians executing thrilling choreography and song, the national tour settling for one week at the Arsht Center doesn’t just immerse the audience in the riches of African culture, it floods you until you fear you might drown.
Harriet Oser Is the Reason To Travel GableStage’s 4000 Miles
GableStage’s production of Amy Herzog’s play 4000 Miles is a puzzle. We can tell you the intriguing premise, we can sketch out the plot, we can describe the engaging characters, we can praise the strong performances and even identify the touching and funny moments. But we can’t tell you what the play is about or the pattern those jigsaw pieces create.
Arts Garage’s Lungs Is Stunning Look At Modern Relationships
Lungs at Arts Garage seems to be about a young couple debating whether to bring a baby into this perilous, even doomed world. But in the wake of plot twists, Duncan Macmillan’s breathtaking script comes clear as an examination of the fragility and tensile strength of relationships, featuring brilliant performances by Betsy Graver and Cliff Burgess.
Alliance’s Brothers Beckett Is Even Better Second Time
The initial production two years ago of Brothers Beckett, an insider’s reportage on Millennial angst, was not an artist’s sketch at the Alliance Theatre Lab. But its current revival feels far more like a fully-realized, finely-detailed work as if the painter went back in to enhance its virtues.
Stage Door Hosts Tuneful Revue Of Jerry Herman Showstoppers
But legendary Broadway composer/lyricist Jerry Herman has spent his life as an unapologetic champion of leaving audiences after two hours feeling diverted. So diverting is the right word for the venerable revue of his ouvré, Jerry’s Girls, at Broward Stage Door, a procession of 38 hits and lesser-known songs from at least eight shows including Hello, Dolly! and Mame .
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