Reviews
Special Theater Shelf Extra: Gorging on Gershwin
Sometimes it seems George Gershwin isn’t gone at all. Even now, Broadway is blessed with the revival of Porgy and Bess and the new Nice Work If You Can Get It. In regional theater, hardly a month goes by without …
Naked Stage’s Turn of the Screw Is Superbly-Crafted Ghost Story
The Turn of the Screw, Henry James’ psychological thriller gets a superbly accomplished production as The Naked Stage’s first outing in almost two years featuring flawless performances by Katherine Amadeo and Matthew William Chizever, and director Margaret M. Ledford deftly creating a world of half-shadows and whispers.
Mad Cat’s Hamlet Dog and Pony Show Makes You Laugh, Think and Scratch Your Head
Playwrights Paul Tei and Jessica Farr’s Hamlet Dog and Pony Show at ad Cat Theatreis a stylized mashup of Shakespeare, Brecht and 21st Century performance art that examines existentialism versus nihilism by setting the vacillating Dane in a fantasia of modern American politics and power. Like an atom careening around a chain reaction, it is by turns inventive, self-indulgent, exciting, boring, and, above all, sometimes insightful, sometimes incomprehensible. And entertaining.
Kim Ehly Delivers Welcome Addition With Baby GirL
Kim Ehly’s touching and rollicking play Baby GirL, the inaugural effort of her newly-minted Kutumba Theatre Project in association with Empire Stage in Fort Lauderdale,is a wryly comic look at a young lesbian searching for her birth mother is an infectiously endearing tale of how we make our own families.
Real Men Sing Show Tunes at Actors Playhouse is Frothy Fare Revealing Deepest Secrets
The world premiere musical comedy Real Men Sing Show Tunes…and play with puppets lazing through the summer at Actors’ Playhouse reveals men’s deepest darkest secrets, namely life-long confusion, anxiety and fear. T
Run the Race With GableStage
Lawyers banter about innocence and justice in David Mamet’s incendiary play at GableStage, but the characters don’t bother to dissect long-decided issues about how the judicial system’s sausage is made. The title of the play and the real subject is Race. The double-helix construction of the twisting dialogue underscores Mamet’s thesis that bogus baggage of race relations subverts any meaningful discussion of seemingly straight ahead subjects as innocence and justice.
Broward Stage Door’s The Immigrant A Tender Family Memoir
Mark Harelik’s The Immigrant, at Broward Stage Door Theatre, has a universal message at it’s core, a fish-out-of-water story that engages the audience in the journey.
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