Tag Archives: Michael Amico
Lynn Nottage’s incisive Intimate Apparel explores a dozen themes simultaneously and all viewed through the prism of race at the turn of the century. But this Palm Beach Dramaworks edition finds a commonality among all of the above: the hope and fear and frustration connected to dreams deferred and dreams realized.
News items about PPTOPA hiring professionals, the South Florida Theatre League opens its annual summer festival, Michael Amico wins the Vic Award, Amparo extends again
Palm Beach Dramaworks’ Indecent is precisely the kind of thrilling evening that glories in what theater can be – a unique art form that cannot be matched by anything on film, anything hanging on a wall, anything reproducible on an mp3 or an mp4.
One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
Greed—that timeless vice that steamrolls over everything in its path—is as relevant today as it was in Lillian Hellman’s 1939 drama The Little Foxes, now receiving a sumptuous revival at Palm Beach Dramaworks.
The emotional histrionics and pyrotechnic acting in the first act notwithstanding, it’s the quiet poignant moments of compassion and connection in the second act that are the most deeply affecting in Palm Beach Dramaworks’ skillful resurrection of Tennessee Williams’ The Night of the Iguana.
With its novelistic heft, lumbering pace and large cast, the 1953 Picnic is a product of its time. But rather than reproduce a propulsive Picnic for impatient 21st century audiences, Palm Beach Dramaworks’ interpretation deftly colors around the edges of the main storyline, spelunking the script’s peripheral action for new revelations about Inge’s mid-century, middle-class, Middle-American strivers.
To summarize The Lion in Winter as a drama about a dysfunctional family is to facilely devalue this examination of just how base the human animal can be in the grip of power and ambition. Director William Hayes and a fine cast make the most of the acerbic gallows humor in Palm Beach Dramaworks’ bravura production, but they also build Goldman’s underlying case for the less than laudable aspects of our nature.
If you wonder what theater was like back when it was as popular as film and far more influential than the upstart television, you can see a prime example in the Maltz Jupiter Theatre’s time machine production of the 1952 potboiler Dial M For Murder.
Eighteen Silver Palm Awards honoring theatrical excellence in South Florida during the 2011-2012 season will be presented Dec. 3, as well as two Remy Awards from the South Florida Theatre League.