Reviews
Like the Country It Unravels, ‘American Rhapsody is Complicated, Ambitious & Flawed
American Rhapsody, Michael McKeever’s sprawling premiere at Zoetic Stage, is a history play, a bildungsroman, a tribute to fluid families, a cautionary tale about where the zeitgeist might be headed. It spans more than 60 years and feels, perhaps like the American experiment itself.
Cruz-Directed Anna in the Tropics Melds Prosaic and Poesy
Miami New Drama’s triumphant 20-year-anniversary production of Nilo Cruz’s Pulitzer-winning Anna in the Tropics., directed by Cruz, enables us to see ourselves and all around us more clearly. It exposes truths and secrets we may not have been aware of and to varying degrees changes us;
Entertaining Sweet Charity Reflects Its Social Myopia
The Maltz Jupiter Theatre’s Sweet Charity is a thoroughly well-produced and inarguably entertaining time machine back to when the musical was created in 1966 and when the cutting-edge dance craze was the Frug. It also celebrates a sexist societal mindset that will aggravate anyone born after 1966.
Boca Stage’s Time Alone Examines Grief, Doubt Within Two Isolated People
Time Alone brings out moments of self-doubt; of deep, endless grief; questions of what ifs and should haves —so skillfully explored in Boca Stage’s scintillating Time Alone. Credit director Genie Croft and first-class actors Karen Stephens & Rio Chavarro — who elevate it into a bold, emotional production.
Riverside Gifts Exquisite Voices, Bold Visuals To La Mancha
With its soul-stirring theme ,” the musical Man of La Mancha is the ideal choice for Riverside Theatre to reflect on how it has triumphed over adversity.This abundantly satisfying production boasts exquisite voices and bold visuals to tell the basic story of summoning the courage to follow one’s star.
Book Review: New Sondheim Volume More About Interviewer
D.T. Max got Stephen Sondheim to reveal glimpses of his work process in five “interviews” but clearly, Max is almost as crucial, at least to him, for what’s in this book as what Sondheim says. At one point, Sondheim mentions that Max looks like Geoffrey Rush, but Max responds in a post-interview add-on that most people mistook him for Nicholas Cage when he was younger. And we care, why?
Report From New York: A Welcome Return Into The Woods
It has been said that this New York production of Into the Woods merging heart, humor, energy and imagination is better than the original. But it is it’s own vision executed with an excellence that occurs when the finest talents invest themselves in creating a fresh vision. It is closing soon but will move part and parcel to nationwide tour almost immediately.
Cut Loose With Slow Burn Theatre’s Rousing Footloose
A hallmark of Slow Burn Theatre Company is its knack in finding new, mostly young talent and shaping those performers’ creativity. That approach—and this current round of talent—are on full display in the high energy, highly entertaining production of Footloose, now at the Broward Center.
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