Tag Archives: Actors’ Playhouse at the Miracle Mile
Lindsey Corey seamlessly slips into 15 characters in Defending the Cavewoman at Actors Playhouse
Defending the Cavewoman explores the differences between women and men.
Actors’ Playhouse Delivers A Margaritaville That Jimmy Buffett Would Drink To
Escape to Margaritaville at Actors’ Playhouse accomplishes what its title suggests. Specifically, the show conjures the kind of laid-back escape during which you might sport a hat and sunglasses, and hold a tall drink topped with a cherry or pineapple. In between sips, you snap, clap, tap, and/or sing along to Jimmy Buffett’s greatest hits.
Actors Playhouse Taps ‘Young Talent Big Dreams’ Winners
Actors’ Playhouse at the Miracle Theatre announced the winners of its 10th annual Young Talent Big Dreams youth talent contest, this year held with virtual entries and performances.
Fight It If You Want, Mamma Mia! Still Indomitably Infectious
Mamma Mia! is another one of those Great Continental Divides in theater: you either love it – or you hate yourself for standing up and clapping along in the final mega-mix medley of infectious earwigs. As proven by Actors’ Playhouse’s full-out production, the damn thing can be a lot of good ol’ fun if you let yourself enjoy it.
Actors’ Playhouse Solo Comedy Buyer & Cellar: Hello Gorgeous
A message is wrapped inside Buyer & Cellar about our relationship with celebrities, but it is only the anchor grounding Actors’ Playhouse’s hilarious trip down Alice’s rabbit hole, or more precisely Barbra Streisand’s basement with Chris Crawford’s tour de force.
Affecting ‘The Tin Woman’ Plumbs Depths of The Heart
A double sense of “life after death” pervades the touching and beautifully rendered The Tin Woman drama suffused with wit now playing at Actors Playhouse as spring slides into summer.
Hard-Working Cast Can’t Save The Trial Of Ebenezer Scrooge
Actors Playhouse’s production of The Trial of Ebenezer Scrooge has a talented cast working hard under the direction of David Arisco, but good grief, what a waste of the resources of Mark Brown’s lame script. For one hours and forty minutes (including intermission), the audiences waits and waits for a single new riff in the Scrooge story, even a shred of logic explaining Brown’s basic premise.
Hirschman’s Solely Subjective Summation Of Shows That Shouldn’t Be Missed
These are not at all necessarily what we predict will be the best shows this season (although they may be) or the best attended or the most popular or the most award-winning. We don’t care. These are the shows we most want to see for a variety of reasons.
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