Reviews
Danny Kaye Musical Entertains But Danny Himself Is AWOL
The Kid From Brooklyn, a bio-musical about Danny Kaye at Broward Stage Door, is blessed with strong singers, likable performers, a peppy period score, a fine live band, a few touching moments and other virtues – everything but one missing element. Danny Kaye.
Off-Beat ‘Love And Human Remains’ Fails In Its Ambition
While Infinite Abyss deserves praise for attempting the abysmal script for Love and Human Remains, they simply cannot force this intentionally bizarre journey rife with explicit sex, nudity, blood and emotional violence to seem like anything but a ham-handed amateurish mess.
Can It Happen Here? Mad Cat’s Surreal Take on Vaclav Havel Plays Will Unnerve Patrons
Mad Cat Theatre’s production of Vaclav Havel’s one acts Protest and Audience draw uncomfortably relevant visions of repressive totalitarian society.
Mermaid Plays Swimmingly But You Can’t Understand Singing
The tour of The Little Mermaid is engaging and enthusiastic playing at the Broward Center’s Broadway Across America series. The problem is you likely will not understand 10 percent of the words when two or more people are singing.
Slow Burn’s Xanadu Skillfully Follows A Middling Muse
Slow Burn Theatre has certainly captured Xanadu’s vibe in the company’s spirited, stupidly happy revival of its own 2012 production, which opened last weekend in Aventura and which will soon tour Delray Beach and Fort Lauderdale
King’s Soundtrack Of Our Lives Is Still ‘Beautiful’ At The Arsht
Validation – the affirmation that what you valued and invested yourself in does matter – is one of the most powerfully effective facets of both entertainment and art. And that, we’ll venture, is the overwhelming virtue of Beautiful – The Carole King Musical whose national tour is enjoying a splendid visit to the Arsht Center.
Riverside’s Private Lives Is Study In Perfection Of Wit And Polish
Take Noel Coward’s sophisticated wit, add exquisite direction and elegant acting, then tie it up with visuals you could plotz for, and it’s no wonder that Riverside Theatre’s production of Private Lives is, simply, a study in perfection.
Main Street’s First Pro Outing Lands Real Women Have Curves
Real Women Have Curves turns out be a no-excuses-needed production that justified the confidence that Main Street Players’ leaders had in evolving from a community theater into a professional troupe that deserves to be watched for the rest of the season.
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