Author Archives: Bill Hirschman

Sensory-Rich, Physicalized Production of Mlima’s Tale

Zoetic Stage’s Mlima’s Tale is a theatrically-lush indictment of illegal ivory trafficking and shared responsibility for the slaughter of animals, not so much for the artistic trinkets that result, but for human greed. Imagine a Discovery Channel documentary dramatically told as a fever dream awash in lights, sound, music and movement.

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Milk and Honey Is Charming Musical, But Very Much the ’60s

Unabashed charm is not a quality one associates with modern musicals, but it is the predominant and reasonably satisfying virtue if you take the Wick Theatre’s time machine back 61 years to the opening of Milk and Honey, the first full-length musical by promising newcomer Jerry Herman.

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Slow Burn and Seymour Feed Audrey II One More Time

Don’t feed the plants! Once again, nebbishy Seymour just won’t listen, so we get another evening of wackiness in Slow Burn Theatre’s edition of Little Shop of Horrors.

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Oscar Wilde Rises Again In Thinking Cap’s Celebration

A love of language and a love of theatricality meld in Thinking Cap Theatre’s ingeniously staged re-interpretation of The Importance of Being Oscar, a celebration of Oscar Wilde. The trio of actors, director and creative team embraces and elevates Wilde’s words of wit and wisdom as if playing glorious music.

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Generation Clash Helps Fuel 4000 Miles at Dramaworks

Sometimes, the worthwhile reason to see Palm Beach Dramaworks’ mounting of 4000 Miles, the satisfying treat is watching the vibrating depiction by up-and-comer Gabriell Salgado of a deeply troubled young man and the brilliant portrait by Patricia Conolly of a 91-year-old grandmother staying vital and engaged while struggling with the debilitating effects of old age.

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Six Gets The Royal Treatment

The energetic, sexy Six definitely delivers the royal treatment—a lively score, strong singing and a can’t miss story. And the opening night audience at the Broward Center were more than ready—cheering and clapping the minute the curtain was raised as if Six was a rock concert. And in a way it is.

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The Opponent Is In Ourselves at African Heritage Cultural Center

One of the great truisms of human nature is that often our greatest opponent is ourselves. So while the drama The Opponent is set in a boxing ring where an young fighter and his trainer spar physically and verbally, it’s their own flaws that provide adversaries that they cannot best.

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Corrected List of Carbonell Noms Has Many Changes

A significantly corrected list of 2021-22 Carbonell Awards nominations was released Monday encompassing added nominees, removed nominees, substitutions and recalculations from the list distributed locally and nationally last Friday. The full corrected list is in this story.

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In Fine Performance, Misery’s Annie Wilkes May Seem More Familiar Today Than You Recall

An unintended resonance echoes in Empire Stage’s production of Misery that Stephen King likely did not quite foresee. In a world where some people steadfastly, even violently believe whatever they want to believe, somewhere Annie Wilkes is shrugging and asking “What’s your point?”

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Conolly Adds Dramaworks Role to Seven Decade Career

Patricia Conolly is one of the most prolific actresses you’ve likely never heard of. But you’ve very likely seen her: 3 times as Blanche, 1 as Stella, 2 as Hedda, 16 Shakespearean heroines. This month Conolly will play the 91-year-old grandmother trying to connect with her grandson in Palm Beach Dramaworks’ 4000 Miles.

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