Tag Archives: Bree-Anna Obst

Aged and Young Characters Explore Multiple Themes In Thinking Cap’s Lovesong

Lovesong is a tender, quiet touching, thought-provoking play from Thinking Cap Theatre opening in new its new performance space at the Hollywood Central Performing Arts Center.

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Oscar Wilde Rises Again In Thinking Cap’s Celebration

A love of language and a love of theatricality meld in Thinking Cap Theatre’s ingeniously staged re-interpretation of The Importance of Being Oscar, a celebration of Oscar Wilde. The trio of actors, director and creative team embraces and elevates Wilde’s words of wit and wisdom as if playing glorious music.

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Thinking Cap Returns With Challenging Fornes Classic

Thinking Cap Theatre returns to producing live on stage works that challenge the mind with Maria Irene Fornes’ Fefu and her Friends, a densely packed contemplation on feminism, gender stereotypes, sexuality and relationships in an evening that will excite some and simply confuse others.

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Thinking Cap Rises To Stage Especially Relevant Shows

Far from succumbing to fiscal and virus nightmares, Thinking Cap Theatre has been spurred by the intersection of politics and art to resurface this month with three online productions whose relevance resonates with this exact time and place.

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Act Two For SoFla Theater: A 2-Part Portrait One Month In

PART TWO: One month into the nation-wide shutdown of live communal theater due to COVID-19, South Florida companies, like those in so many other regions, are trying to write Act Two with little clue how Act Three will play out. In this first of two parts, leaders from local companies and venues a limn this tale of confident hope and chilling fear, cold balance sheets with seven digits in the red, and blue sky imagining what theater will look like in two, three, 18 months.

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Act Two For SoFla Theater: A 2-Part Portrait One Month In

PART ONE: One month into the nation-wide shutdown of live communal theater due to COVID-19, South Florida companies, like those in so many other regions, are trying to write Act Two with little clue how Act Three will play out. In this first of two parts, leaders from local companies and venues a limn this tale of confident hope and chilling fear, cold balance sheets with seven digits in the red, and blue sky imagining what theater will look like in two, three, 18 months.

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Thinking Cap Unleashes The Wild Ambition of Dance Nation

Dare your adult to take your inner child to see Dance Nation at Thinking Cap Theatre in which adults play teenagers prepping for a competition. Were a prize given out today for Best Ensemble, the cast of Dance Nation would take home a trophy.

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Thinking Cap’s King Lear Is A Study In Imagination

Peter Wayne Galman in Thinking Cap Theatre’s production is a likeable Lear. He’s also narcissistic, ego-centric, driven, demanding, confused, playful and timeless. It helps that Galman delivers William Shakespeare’s poetry like the masters – think Ian McKellen, Sir John Gielgud. There isn’t a word that isn’t sacrosanct. He relishes the work, and, in turn, audiences will, too.

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Thinking Cap’s Emperor of the Moon Is Delightful Lune-acy

With a cast of unfettered and inspired clowns, Thinking Cap Theatre has produced a hilarious edition of a 1687 comedy by Aphra Benn, The Emperor of the Moon, lathering almost every second of this commedia dell’arte farce with a humor encyclopedia’s worth of sight gags, comic timing, verbal delivery, bathroom humor and endless physical schtick — all delivered at a lickety-split pace by a comically nimble troupe.

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New City Players’ Twelfth Night Is Midsummer Night’s Dream

Merriment is a word we don’t use much in the 21st Century, but that is the precise adjective to reflect the madcap abandon, tireless physical comedy and unflagging enthusiasm that makes a success of New City Players’ edition of Twelfth Night.

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