Reviews

Broward Stage Door’s Brighton Beach Memoirs Stumbles A Bit, But Is Genuinely Touching

Acknowledge that Broward Stage Door’s revival of Neil Simon’s thirty-year-old warhorse Brighton Beach Memories is uneven and stumbles. Then acknowledge, at least this critic will, that Stage Door’s edition frequently reaches into that moldy storehouse of decades-old memories of family relationships — and makes the throat close up, the eyes mist and starts a sudden epidemic of sniffling around the auditorium.

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Outre Stages Solid Outing Of Larson’s tick, tick…BOOM!

Outré Theatre Company has mounted a smooth and solid production of Jonathan Larson’s other produced work, the semi-autobiographical rock musical tick, tick…BOOM! Built around an impassioned and winning performance by Mike Westrich as Larson’s stand-in, Artistic Director Skye Whitcomb and Music Director Kristen Long have created an emotionally satisfying evening worth the trip to Boca Raton.

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Dramaworks’ Dancing At Lughnasa Is Slow Sweet Elegy

Amid blockbuster musicals and dysfunctional family dramas, one of the disappearing genres of theater and much of art is the slow, sweet sad song. And as Palm Beach Dramaworks’ slow, sweet sad production of Brian Friel’s Dancing at Lughnasa shows, nobody sings them like the Irish.

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Thinking Cap’s Intriguing If Flawed Tragedy Waafrika Stuns With Harrowing Climax

Thinking Cap Theatre’s production of Nick Hadikwa Mwaluko’s Waafrika is a deeply earnest and illuminating if imperfect examination of the tragic toxicity of tradition. But even Waafrika’s flaws are washed away by one of the most harrowing finales seen on a local stage.

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Cock Takes Hard Look At Nature of Love; GableStage Production Rises to the Occasion

Sex, despite the title at GableStage, and despite the plot, is not what Cock is about. And guess what? It’s sexy. It’s very sexy. But this is a story about love, labels and the pressure society puts on persons to make decisions about both.

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Actors’ Playhouse Outwits Dimwitted Fox on the Fairway

The Fox on the Fairway, plays more like a 1970s sitcom. When any one of the comedy’s exaggerated characters comes bursting through the door (and this happens more than a few times), you expect a canned laugh track to surface.The Fox on the Fairway won’t take the World Cup when it comes to comedy, but it’s a fun romp and summer fare that only requires the audience to be swept away in its lunacy.

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Memphis The Musical Keeps Rocking The House At The Arsht

Say what you will about the joys and shortcomings of Memphis the Musical — starting with exuberant performances and unimpressive lyrics –it has one of the most infallibly infectious finales.

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War Horse Remains Thrilling Theater On Tour But Has Lost A Bit Of The Original Magic

War Horse is cherished by many of us who saw it at Lincoln Center as one
of the most brilliantly executed pieces of theater we have seen. Certainly, audiences continue to be thrilled by the geniuses who designed, built and now endow breath nightly into the larger-than-life puppets that nearly transmute into flesh-and-bone horses. And the creatures are only one element among superbly conceived stagecraft.. But it’s hard to shake the heretical truth that the extra sense of transcendence we felt in New York wasn’t there on the opening night of this two-week run.

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Report From New York: Durang’s Satire Vanya and Sonia and Masha and Spike Is Funny and Cutting and Silly and Superb

So among the fine, entertaining evenings and afternoons in theater this trip, the highlight hands down was watching a brilliant cast under Nicholas Martin’s direction make Christopher Durang’s wacky Vanya and Sonia and Masha and Spike into such a hilarious yet incisive satire on the 21st Century.

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Theater Shelf: Philharmonic’s Staged Concert of Carousel On Line For Very Limited Time

Act quickly – you only have a few days to view one of the greatest concert presentations of a musical that I’ve ever seen … the New York Philharmonic’s staging of Rodgers and Hammerstein’s Carousel.

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