Reviews

Phone Rings, Door Chimes, In Comes A Welcome Company Concert At PB Dramaworks

You may long for Palm Beach Dramaworks’ staged concert of Company to have one more week of rehearsal just to let it ripen and deepen, but what’s on stage remains an unassailably well-crafted, well-performed, downright entertaining production of Stephen Sondheim’s Continental Divide of American theater.

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Christmas in August: Slava’s Snowshow Returns To Miami

If anybody dares you to bet your sports car that it won’t snow in Miami in August, better go find your pink slip. There’s a blizzard inside the Arsht Center nearly every night that’ll have you picking white stuff out of your hair even if you sit in the back row. And that’s not even the mouth-dropping coda to Slava’s Snowshow, a Russian-based fantasia that showcases classic clown skills against the showmanship and stagecraft of a Cirque du Soleil production.

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Theater Shelf: Jews Dominate Broadway! Teens in Appalachia! The French Writing Musicals?

Theater Shelf, a recurring feature, reviews recently-released books, CDs and DVDs of interest to theater lovers. Some are popular titles like a new Original Cast Recording, others are works you’ll be intrigued by, but didn’t even know about.

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Judy’s Back and In Delray Beach At Theatre At Arts Garage

There’s no room for missteps at the intimate Theatre at Arts Garage cabaret. In this production of Beyond the Rainbow: Garland at Carnegie Hall everything is up close and very personal in a creatively re-imagined staging of the show.

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Class Struggle And Coping With The Past Makes Good People Great Theater At Gablestage

Cut through the South Boston accents and into the fibers of Good People, and you’ll find that David Lindsay-Abaire’s 2011 Tony nominee is a character study of the finest sort. However, the fact that the lead character, Margie has remained in South Boston’s Lower End should not be understated — this attachment to one’s childhood roots is what forms the foundation of Good People, now at Gablestage.

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Jim Brochu’s Character Man Is Affectionate Amble Through Broadway’s Past And Its Pros

If you’ve dreamed of sitting in the upstairs bar of Sardi’s to hear journeymen trade war stories about Broadway’s past, you can get a taste at Jim Brochu’s new one-man show, Character Man. The veteran New York actor-playwright, who triumphed in 2009 with Zero Hour, spends a couple of acts at Broward Stage Door recollecting his meetings with famous and not-as-famous stalwarts from Jackie Gleason to Jack Gilford, Zero Mostel to David Burns.

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Actors Playhouse Rated P For Parenthood Is Frothy Fun

Rated P For Parenthood at Actors Playhouse is a 90-minute hoot that bowed off-Broadway last year strings together almost 30 vignettes that chronologically trace the joys and absurdities of raising a child from conception to empty nesting.

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Dramaworks’ Man of La Mancha Is Far More Than Staged Concert

Beautifully sung, passionately acted and staged with as much movement and business as anyone can ask of a limited rehearsal period, Palm Beach Dramawortks’ concert version mines much of the beauty and heart from one of the most glorious scores and emotionally-affecting scripts in American musical theater.

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Slow Burn’s Wedding Singer May Be A Trifle But It’s A Cute Hoot

fSlow Burn Theatre Company’s daffy production of the summer trifle The Wedding Singer feels like a sweet, sloppy kiss from a scruffy dog that could really use a trip to the groomer, but who’s lovable all the same. What this silly smile of a show undeniably lacks in polish and consistency, its cast makes up for with grinning enthusiasm and goofball abandon

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Summer Shorts Is, As Usual, A Daffy, Uneven, Goofy Smile

By Bill Hirschman Sometimes for actors, especially playing comedy, the only option is to jump off the cliff and see if you can fly. The miracle is that sometimes, as in City Theatre’s Summer Shorts, is that, indeed, they soar. …

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