Reviews

AAPACT’s Anne & Emmett Finds Footing In Common Ground

Janet Langhart Cohen’s play, Anne & Emmett, this notion of imagination and introduction paves the way for a stirring play about intolerance and two people from decidedly different backgrounds who discover that they share a lot more in common than they or the audience could ever imagine, presented by the African American Performing Arts Community Theatre, Inc.

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Priscilla Is Certified Silly Hoot, Dressed To The Nines, Tens, Elevens And Way, Way Beyond

Priscilla, Queen of the Desert, is just an extravagant, downright silly and infectiously entertaining hoot, a gay fantasia – as in Disney’s Fantasia – playing for only one week at the Arsht Center in Miami before moving at the end of the month to the Kravis Center in West Palm Beach.

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FGO’s La Traviata Surprisingly Well-Acted As Well As Sung

The surprising virtue of Florida Grand Opera’s 11th retelling of Verdi’s La Traviata is that for all the performers singing high E’s at the top of their lungs, all the falling to their knees in sorrow or illness, for all the oversized passions, it’s believable.

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Stage Door’s Jeffrey Feels Dated, But Funny And Touching

It’s weird but wonderful that two full decades after the height of the AIDS crisis that Paul Rudnick’s touching but hilarious satire Jeffrey now revived at Miami Beach Stage Door Theatre feels a bit like a period piece. The reason Jeffrey still works, Rudnick’s uninhibited wicked wit aside, is that the underlying themes are universal and timeless.

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Theater Shelf: Drood, Bway to West End, Gilbert & Sullivan

Theater Shelf, a recurring feature, reviews recently-released books, CDs and DVDs of interest to theater lovers. Some are popular titles like a new Original Cast Recording, others are works you’ll be intrigued by, but didn’t even know about. By Brad …

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Slow Burn’s Sweeney Todd Is Competent But Not Thrilling

So much is right about Slow Burn Theatre Company’s scaling of that Everest of musical theater, Sweeney Todd, that there’s no shame to acknowledge that it’s a competent not a transporting production.

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Zoetic’s Savannah Disputation Lampoons Religious Zealotry

“Act as if ye had faith and faith shall be given ye” goes the maxim and the performers in Zoetic Stage’s production of The Savannah Disputation seem to have taken it as their watchword. They and director Stuart Meltzer have invested every bit of their considerable talent making a flawed, one-and-a-half-dimensional script into a terribly funny and mildly thought-provoking evening about religious certitude.

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Avi Hoffman Leads Harrowing ‘An Iliad’ Reboot At Outre

An Iliad is a breathtaking solo show from Boca Raton’s Outre Theatre Company starring Avi Hoffman that exhumes Homer’s dramatization of the mythological Trojan War in terms we all can understand. There is colloquial language, modern-day references, video projection and audience interaction – even, occasionally, humor.

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Mortality Is Funny As Well As Terrifying In Superb Absurdist Exit The King At Dramaworks

The word “hilarious” rarely applies to a bleak unblinking play about mortality, but Palm Beach Dramawork’s superb production of Eugene Ionesco’s Exit The King earns it, along with “profoundly thought-provoking” and other accolades. Simply, it ranks among the best work that the company has mounted in its 13 seasons.

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New Theatre’s Bird In The Hand Is A Flawed But Intriguing Hoot

By Bill Hirschman There’s a moment in New Theatre’s quirky and surprisingly pleasant production of Bird In The Hand that captures the offbeat vibe in this bittersweet comedic memoir about growing up in Miami. Actors are dressed to resemble flamingos, …

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