Reviews
Top Gun! The Musical in FTL Crashes and Burns
This production of Top Gun! The Musical at Empire Stage suffers from Shoulda Woulda Coulda Syndrome: It shoulda been cast with performers who could actually sing and act. It woulda had a shot at being a cult hit. And it coulda been a lot of fun, if it were only in more capable hands. But as it is, Top Gun! The Musical crashes and burns.
Rigoletto Has Much To Admire, But Won’t Make You Weep
Rigoletto is the third Florida Grand Opera production this season with much to admire, even a few moments of technical artistry that you can describe as thrilling. But it’s admiration from a distance, more intellectual appreciation than emotionally touching.
Parade Productions’ Brooklyn Boy Is Mildly Funny, Mildly Moving But Flawed Evening
Avi Hoffman’s performance as a troubled writer, struggling to deal with success but escape his past, is one of the virtues in the promising but flawed inaugural offering from Parade Productions, a professional company performing in Mizner Park. There’s a lot of talent here working very hard, but not a lot of electricity emanating from the elegiac, mildly funny, mildly moving tale.
Slow Burn’s Urinetown Will Make You Laugh ‘Til You… Well…
Slow Burn Theatre’s production of Urinetown the Musical marks another milestone in the young troupe’s evolution as a reliable purveyor of edgy, offbeat musical theater that few other mainstream companies have the courage to produce.
Area Stage’s Snoopy! The Musical Lacks Bark, Bite
Yet, Snoopy! The Musical at Area Stage, the second of two musicals derived from the popular comic strip, Peanuts, just doesn’t have the same pedigree. Its songs are repetitive, its characters are caricatures and its messages are targeted to the Sesame Street crowd.
NE 2nd Avenue Is Funny And Insightful Look Inside Multi-Cultural Miami
Teo Castellanos’ NE 2nd Avenue at the Arsht Center, funny and profound literally at the same time, is a sociological-anthropological field trip as if Castellanos was a hip-hop Margaret Mead. It takes us on a tour of the adjacent neighborhoods on the titular boulevard highlighted by encounters with a variety of inhabitants.
Promethean’s Boeing Boeing is a Door-Slamming Chuckle
Boeing Boeing is a 1962 farce with doors that slam, swing, shut slowly, burst open in ones, twos and probably threes. Promethean Theatre and its house director Margaret M. Ledford, benter new territory with an out and out comedy that requires skill and discipline. As proven by the copious laughter in the hall, they acquit themselves well.
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