Performances
Florida Grand Opera’s No Exit Ascends Hot Damn Perfection
With its ingenious, acrobatic score, and exceptional singers who could handle both the drama and the demands, FGO’s No Exit may have been a depiction of hell, but the production was hot damn perfection. The only regret was that this was a three-day run. If you must, go through heaven and hell to get to the final performance of this production tonight. It’s a once in lifetime experience.
Thinking Cap’s Pool (No Water) Dives In Artistic Schadenfreude
Jealousy, ego and unbridled schadenfreude that exist in any human being seem to be intensified among the rarefied spirits we call artists – at least that seems to be thrust of Mark Ravenhill’s droll little satire, Pool (No Water) enjoying a hoot of an outing thanks to Thinking Cap Theatre.
Maltz’s Other Desert Cities Struggles In Arid First Half But Delivers Wrenching Second Act
All through the engrossing and ultimately wrenching second act of the Maltz Jupiter Theatre’s production of Other Desert Cities, one question screamed for an answer: Where were you people in the first act? The competent cast slogs through the exposition until they finally get create plausible characters in the second act.
Stars Of David Is Touching, Funny Revue About Identity
Seeking “Who am I?” is the defining journey of most lives, and our religious heritage is part of the solution, even if we don’t embrace that religion or its culture. Such is the soul of Stars of David: Story To Song, a musical revue, which, despite its cripplingly kitschy title, is a surprisingly entertaining, witty and poignant look at how Jewish-Americans struggle on that journey.
Stunning War Horse Gallops Back Into Region At The Kravis
War Horse is cherished by many of us who saw it at Lincoln Center as one of the most brilliantly executed pieces of theater we have seen. But it’s hard to shake the heretical truth that the extra sense of transcendence we felt in New York wasn’t there on the opening night of this very brief run.
M Ensemble’s Knock Me A Kiss Is Uneven But Has Electric Acting
Some vibrant performances – one of them pure electricity – rescue M Ensemble’s uneven production of Charles Smith’s intriguing but flawed script about boldface names from the Harlem Renaissance, Knock Me A Kiss.
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