Tag Archives: Broward Center for the Performing Arts
Intentional or not, Slow Burn Theatre Company producing Priscilla, Queen of the Desert at the height of Pride Week, near the 50th anniversary of the Stonewall riots, is the ultimate synergistic commentary. Its edition of the reliably infectious feel-good musical rises another level into a conscious celebration of identity. Indeed, pride unfettered and unabashed explodes with the pure joy.
Theater Cues & News: Matilda Jr., New City Reading, A New Patsy, Moving Measure, Theatre Lab Experiments, Traffic Woes
News of Broward Center & local students create Matilda Jr., New City Players seeks feedback on new play, Wick extends and gets new Patsy Cline, TCG brings 1,000 artists to Miami, Measure for Measure gets new home, Theatre Lab to have longer runs
In recent years, while producers and designers of Broadway musicals have found subtle ways to slim down the overall effort on national tours. But Broadway Across America’s current sit-down of Anastasia at the Broward Center seems as visually and aurally stunning as the 2017 Broadway edition.
When the 9 to 5 bowed in 1980 , the movie about women rebelling against being taken advantage of was downright funny, even if the injustice and sexism it depicted was universally acknowledged as all too common. The musical version revived by Slow Burn Theatre Company is still pretty funny, but in the wake of the #metoo movement, it inherently contains a bit more topspin on the revenge fantasy against behavior now deemed inexcusable.
Perhaps the artists gifting us this superb tour of Dear Evan Hansen may not quite appreciate how some of its themes resound specifically in South Florida like the deafening battery of cannon fire. A year after the Parkland tragedy and less than a week after two teen suicides, the story does not pluck heartstrings as it has for tens of thousands of fans; it rips them out.
Due to a power outage on opening night, the first performance of Dear Evan Hansen was unable to go on as scheduled. A performance has been added for Sunday, April 7 at 6:30 p.m. for audience members displaced by the cancelled performance..
Frank Wildhorn’s Jekyll & Hyde is one of those Continental Divides in musical theater: You either love it – or tolerate it. But if you’re going to perform a work by the pioneering prince of the pop power ballad, you have to go all in, and Slow Burn has done just that.
The Christmas season officially opened this weekend wrapped in pink. Elle Woods, leading a perky singing and dancing ensemble in Slow Burn Theatre Company’s ebullient Legally Blonde, lit up the Broward Center with a positive attitude that probably allows that Santa Claus might yet exist
The ground-breaking record-breaking Tony-winning Pulitzer-winning musical Hamilton is expected to attract unprecedented numbers of fans and newcomers when the national tour arrives at the Broward Center this month. But that raises a dozen logistical challenges, starting with where will as many as 2,600 people attending each show at the main Au-Rene theater find places to park, and how will officials handle potential traffic jams?
Put aside your expectations that the musical Freaky Friday is going to be yet another manipulative Disney raid on its popular film titles, designed primarily for those who fondly recall one of three cinematic versions. Instead, Slow Burn Theatre Company has delivered a thoroughly enchanting evening, one of most polished and downright fun productions it has offered in recent years.