Tag Archives: Broward Center for the Performing Arts
Trivia contests, master classes, solo performances, new play development online, lectures, podcast-like schmoozing interviews, requests for video audition, 24-hour theater projects, even soliciting subscriptions for specific dates. The ghost light may be lit across the South Florida theater scene, but nearly every troupe is aggressively keeping the genre’s profile inescapable.
In-depth report: Sets still standing on stages are silent pledges that these productions and theater itself in South Florida will resume – albeit in what many believe will be a different world. But what that cultural world will look like for audiences and artists could not be more uncertain, say theater professionals who have had to rethink and rethink again their plans. It’s different from when other disasters have struck Florida like hurricanes; this one may be open-ended.
The Coronavirus is closing some shows in South Florida theater, and causing the indefinite postponement of others, including the eagerly awaited world premiere musical A Wonderful World at Miami New Drama and the Carbonell Awards gala.
Titles announced by more South Florida theaters in their 2020-21 seasons including Broadway in Fort Lauderdale: To Kill A Mockingbird starring Richard Thomas, and Hamilton returns; Actors’ Playhouse doing On Your Feet!, the Emilio and Gloria Estefan bio-musical; The Wick mounting Damn Yankees, and Lake Worth Playhouse with the American epic Ragtime.
Travelling in the national tour means moving to a different hotel in a different city nearly every week, not always sure what city that is, maintaining relationships with loved ones from afar, striving to keep the show fresh when you’ve done the material hundreds of times. And bats divebombing the performance. Just ask Hialeah native Nick Duckart travelling with Come From Away as it approaches the Kravis and Broward Center.
Oh, those mean girls. If you were unlucky to encounter them, they made your high school days unbearable, humiliated you so you felt inferior and tried to dictate who your friends were. They weren’t fun to be around—even if you were in their inner circle. But Mean Girls, the Broadway musical making its South Florida premiere at the Broward Center through March 15, sure is fun
The first things to know about Slow Burn Theater Company’s musical Groundhog Day is (a) do not go expecting to see the movie and (b) do not go expecting Bill Murray. The third thing is that it doesn’t matter. At all. This unapologetically uplifting, deeply poignant and very funny version is well worth seeing over and over on its own terms.
You are invited to a wedding this month, well, a theater experience recreating a wedding. It may seem at first blush not your everyday wedding with the title Diego & Drew Say I Do, but actually it’s not the sexuality of the grooms that promise an unusual celebration. The plan is for the nuptials to be more notable for the carrying on of the guests than for the same-sex partners.
The Disneyization of Broadway has brought a whole new world of theater to a new generation of audiences who, hopefully, will be theatergoers for a lifetime. Put the highly entertaining Aladdin, now at the Broward Center in that category.
Intentional or not, Slow Burn Theatre Company producing Priscilla, Queen of the Desert at the height of Pride Week, near the 50th anniversary of the Stonewall riots, is the ultimate synergistic commentary. Its edition of the reliably infectious feel-good musical rises another level into a conscious celebration of identity. Indeed, pride unfettered and unabashed explodes with the pure joy.