Tag Archives: Sabrina Lynn Gore

Outre’s The Violet Hour Is A Daring, Flawed Modern Medea

Sometimes the daring efforts of Outré Theatre Company work beautifully such as Back of the Throat, An Illiad and Thrill Me, sometimes not so well such as Bed and Sofa, and Othello. Often, it’s both as with the current world premiere of The Violet Hour, A Modern Medea.

Posted in Performances | Tagged , , , , , , , , , , , | Leave a comment

Glorious Voices Outweigh Unsubtle Script In ‘The Journey’

The scruffy damaged denizens of New Orleans’ underclass depicted in the musical The Journey: The Story of Your Life really only have one dimension and the subtlety of a freight train, but, good God, the power that this cast and creative team from Outré Theatre Company invest in that one dimension is overwhelming.

Posted in Performances, Reviews | Tagged , , , , , , , , , , , , , | Leave a comment

Evening Star’s Song Cycle 35MM Propelled By Urban Angst

35MM and this production require some effort from the audience to meet it more than halfway. It is, as they say, not for everyone’s taste. But it does represent an intriguing example of the current effort by young theater artists to find new ways to create their own brand of musical theater that speaks to them. In that, Evening Star’s 35MM is worth checking out.

Posted in Performances, Reviews | Tagged , , , , , , , , , | Leave a comment

Outre’s Bed & Sofa Is Uneasy Mix Of Opera, Silent Film, Theater

The collision of two never-subtle art forms in Bed and Sofa is certainly intriguing as befits Outré Theatre Company’s mission of fearlessly pushing the boundaries of theater, thanks in part to the commitment of Outré’s directors and performers. But this bizarre entry never lands solidly.

Posted in Performances, Reviews | Tagged , , , , , , , , | 1 Comment

Outré Theatre Premieres Silent Movie Musical ‘Bed and Sofa,’ Adding Its Own Touches

Perhaps if Rent hadn’t eclipsed everything that arrived in New York in 1996, maybe Bed and Sofa would have received the attention it deserved, in the eyes of Skye Whitcomb who is directing Outré Theatre Company’s “silent movie amber opera” in its Southeastern premiere at the Broward Center.

Posted in Features | Tagged , , , , | Leave a comment

Texting & Scrolling Messages During SoFla Shows Becoming As Egregious As Ringing Phones

South Florida Theater patrons checking and responding to email during a performance has mushroomed in recent years, but it reached a high water mark last week indicating a worsening of the collision of technology, performance art, the obsession with staying connected and the etiquette of communal interaction.

Posted in Features | Tagged , , , , , , , , , | 2 Comments

Outre’s Bloody Bloody Andrew Jackson Is, Well, Bloody Good

With bracing anger, profuse profanity and biting satire that is more slashing than surgical, Outre Theatre Company’s Bloody Bloody Andrew Jackson will not to be everyone’s taste but for those whose preference run more to Rent than Mamma Mia, this is your acidic cup of tea.

Posted in Performances, Reviews | Tagged , , , , , , , , , , , , , , , , | 1 Comment

Speaking Verse Needs Work, But Outre’s Othello Is Praise-Worthy Undertaking From Outre

Audiences need to savor the undeniable virtues of local Shakespearean productions — even when counter-balanced by well-intentioned but equally undeniable shortcomings. Such is the case with the laudable Outré Theatre Company production of Othello imaginatively directed by Christina Groom and featuring Troy Davidson in a persuasive central performance.

Posted in Performances, Reviews | Tagged , , , , , , , , , | Leave a comment

Thinking Cap’s Off-Beat Immersive Theater Piece “Church” Is Pure Hallelujah

Sitting under a tent, sweating through the swelter, watching a faithful facsimile of a revival might not seem appealing to your everyday theatergoer. But bring an open mind to Thinking Cap Theatre’s play Church and savor a thought-provoking, exuberant even entertaining evening.

Posted in Performances, Reviews | Tagged , , , , , , , , , | Leave a comment

Wick’s Full Monty Isn’t Half-Bad

The Full Monty is one of those scruffy street mongrels that are undeniably cute and even inexplicably winning for short periods, but not a stray you want to take home. The Wick Theatre’s production of the musical is competent, perhaps one of the better renditions you’ve seen of it, but its not equal to the recent triumph with 42nd Street.

Posted in Performances, Reviews | Tagged , , , , , , , , , , , | Leave a comment