Tag Archives: Patrick Fitzwater

Slow Burn’s Rock Of Ages Isn’t Your Grandma’s Musical

If there’s any way to get folks to the theater who don’t usually go, Slow Burn’s Rock of Ages can do it. Director/choreographer Patrick Fitzwater knows exactly how to squeeze every inch of character out of this cheesy, goo fest of a jukebox musical to entertain aforementioned non-theater types, who can’t wait to re-live the glory days of the 1980s, of which the soundtrack of the show relies.

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Rockin’ Memphis Has The Rhythm and The Blues

Tight choreography, outstanding leads, a solid supporting cast and a fluid band infuse Slow Burn Theatre’s trip to Memphis. The rousing production hits the ground running in the opening scene set in a black nightclub in Memphis’ Beale Street area and doesn’t slow down until the last “Na, na, na, na” of the ovation.

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“Disaster!” Is Anything But

If you are a Boomer (and be warned, maybe only if you’re a Boomer or their progeny), Slow Burn Theatre Company’s hilarious spoof Disaster! will be in contention for one of the silliest, stupidest and downright funniest nights you have had in theater in recent years.

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The Bridges Of Madison County Gloriously Soars To The Heights

Slow Burn Theatre Company’s production of The Bridges of Madison County is what critics save up our credibility for – so that when a work of art is this effective, this moving, this captivating, then you’ll know we are urging you to see something truly special.

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A Last Look Back At 2017, A Fine South Florida Theater Season

One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”

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Slow Burn Hosts Lovely Swirling Visit To The Secret Garden

Be grateful that Slow Burn Theatre Company with its audacious affection for large scale challenging musicals has decided to mount The Secret Garden, that ode to rebirth, memorable for its lush unconventional score that resembles streams of music intertwining into an aural waterfall.

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Peter Still Refuses To Grow Up, Thankfully, In Starcatcher

Slow Burn Theatre Company’s rollicking race-down-the-hill production of Peter and the Starcatcher is a joyful hoot packed with more sight gags, puns, pratfalls, wordplay and even a bit of wistfulness than arguably any other recent work including the current The Play That Goes Wrong.

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Slow Burn’s Immersive Tarzan Is High-Flying Welcome To Jungle

Tarzan: The Stage Musical, by regional theater troupe Slow Burn Theatre plays just fine in the smaller, almost 600-seat Amaturo Theater at the Broward Center for the Performing Arts, but, truth be told, it could have easily passed for a touring road show version that’s usually on stage next door in the more than double-the-size Au-Rene Theater. Yes, it’s just that good.

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Slow Burn’s Aida May Not Top Your Wish List, But The Pop Opera Burns Down The House

If American Idol produced a Broadway musical with choreography often found behind a diva in a stadium tour, the result would resemble Slow Burn Theatre Company’s production of Aida. The result is often entertaining and occasionally moving. But the entire effort is unapologetically drenched in a late ‘90s pop sensibility that is by turns earnest and kitschy, insightful and shallow, deft and manipulative.

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Slow Burn’s Xanadu Skillfully Follows A Middling Muse

Slow Burn Theatre has certainly captured Xanadu’s vibe in the company’s spirited, stupidly happy revival of its own 2012 production, which opened last weekend in Aventura and which will soon tour Delray Beach and Fort Lauderdale

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