Tag Archives: Adrienne Arsht Center
The national tour of Kinky Boots was a well-polished evening of musical comedy with soulful ballads and glitzy production numbers, but this construction felt so manipulative, so by-the-numbers as if it, too, came off a factory production line.
It’s fortunate that Newsies is a dance-centric musical because much of the lyrics and dialogue were nearly impossible to understand in the national tour visiting the Arsht Center from Broadway Across America. But that dancing is spectacular and well-worth seeing.
By Bill Hirschman The primary thing usually missing from a Cirque du Soliel show is a discernable plot. Lookingglass Alice, slipping into the Arsht Center’s spectacle-driven summer extravaganza slot, may not have the multi-million-dollar budget and scope of those Vegas …
Intriguing premises are the jumping off points for the nine flights of theatrical whimsy in City Theatre’s annual festival of short plays, Summer Shorts. While no discernable thread runs through the disparate works, the deftly comic playlets are shot through with a striation of poignancy, and the moving entries are leavened with flashes of humor.
The Magnificents, The House Theatre of Chicago’s production that’s playing inside the intimate Carnival Studio Theater at the Adrienne Arsht Center, is pure and simple and classic entertainment.
By Michelle F. Solomon If the House Theater of Chicago’s Death and Harry Houdini was about neglecting life in the pursuit of conquering death, The Magnificents is the other side of the coin. “The Magnificents is about a guy who …
After 11 years and counting on Broadway, a decade on the road and on its seventh visit to South Florida, some of the magic should have vanished from the musical Wicked. But the tour has not only maintained much of the magic, but arguably is even more heartfelt and polished than its predecessors.
Scott Shiller, who transformed the Arsht Center into a catalyst developing local artists as well as widening the array of visiting attractions, is leaving at the end of April to head the Denver Center for the Performing Arts.
Miamians J.J. and Natalie Caruncho built their careers as thespians in New York City, but now in their mid-20s, the siblings have returned home with the new company DreamCatcher Theatre to produce the Stephen Sondheim musical Into The Woods with the Arsht Center’s Theater Up Close series.
This sharply honed, finely tuned, precisely executed national tour of Beauty and the Beast piece of theater inexplicably does not seem stale. If there isn’t an overflowing sense of soul pouring from the stage, no one is coasting; everyone is throwing every shred of craft they possess into it. You know it works because the opening night audience went crazy at the curtain call.