Tag Archives: Adrienne Arsht Center

Hilarious, Profane Yet Oddly Reverent Book of Mormon Returns To Arsht And Kravis

Hallelujah, children! We are delivered from the bondage of political correctness, the oppression of reactionary repression and the tyranny of the status quo. Raise up your voice and praise the bringer of these blessings — the national tour of the Broadway musical, The Book of Mormon now at the Arsht Center and en route to the Kravis Center (where it is already sold out).

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On The Road Again: Brian Stokes Mitchell & Other Bway Stars Visit South Florida For Concerts

When Brian Stokes Mitchell comes to the Broward Center with the Cincinnati Pops Orchestra and his deep, lush baritone on Dec. 8, he will be among numerous stage stars swinging through South Florida this winter and spring to feed their aesthetic soul.

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UM And Arsht’s Theater Up Close Embrace Sublime Silliness In Peter And The Starcatcher

Peter and the Starcatcher, an alternative origin story for Peter Pan, is an ensemble piece featuring a dozen chameleonic storytellers, each with moments in the spotlight. But Theater Up Close’s profligately imaginative romp features standout performances by student Abigail Berkowitz, and veteran Nicholas Richberg

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The Coming South Florida Theater Season Is As Much About Where As What

Usually there isn’t anything sexy or newsworthy about real estate in the world of theater unless it’s Glengarry Glen Ross. But as the season approaches, South Florida hasn’t seen so much packing and unpacking, opening tubes of Ben Gay, filling out of change-of-address cards, remodeling, scanning blueprints and updating websites as in the past season and the one coming up

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How South Florida Musicians Fuse In One Day To Play In Broadway Tour Pit Bands

Shadowing the 18-hour day when local musicians are first thrown together to rehearse and play opening night of the Miami visit of the national tour of Evita — a job requiring skill, stamina, concentration and discipline to sound as if they have played it together for months.

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Looking For Work In SoFla Arts? Arsht New Web Site Lists Jobs For Free To Stop Brain Drain

The Arsht Center is t trying to keep talent in South Florida. They created MiamiArtsJobs.com, a job portal dedicated to helping find employees for Miami’s growing cultural institutions and showcasing great opportunities for people who want careers in all facets of the arts but aren’t sure where to go to find them.

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Civic Leaders Evolving Alternate More Ambitious $45 Mil Plan For Coconut Grove Playhouse

A proposal resurrecting the Coconut Grove Playhouse as a $45 million theater complex likely run by the Arsht Center is being solidified by civic leaders headed by Mike Eidson, chairman of the Arsht’s trust. The previously undisclosed strategy eclipsesthe current county commission agreement to build a smaller facility on the site of the renowned 50-year-old theater.

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Arsht’s Sensory H2OMBRE Brings Moister Meaning To The Phrase Immersive Theater

Worldless, disconnected, as neutral and interpretable as a Rorschach ink blot, H2OMBRE is a Cirque du Soleil-like show designed by and aimed at people raised on comic books and fantasy flicks. Anyone seeking a conventional definition of theater will be appalled. But this creation will close in on sheer nirvana for those seeking an immersive experience akin to a South Beach club erected at Comic-Con.

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H2OMBRE Immerses Arsht Financially And Creatively In Immersion Theater

Despite the more headline-grabbing 6,000 gallons of water, the significance of the Arsht’s H2HOMBRE is that the public-private venue is cementing its commitment to a brand of imagistic, sensory-laden and non-traditional performance art that has been mounted in South Florida before, but not on this double-or-nothing scale.

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A Fresh New Argentina, Of Sorts, For Evita At The Arsht

This national tour of the 2012 Broadway revival of Evita is a strong fresh edition that gives the raw material a thorough makeover but does not deconstruct the piece. The experience is helped immeasurably by the clarion voices of the lead actors. The only facets missing most of the time are the electric sizzle and raging passions that marked earlier productions.

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