Tag Archives: Adrienne Arsht Center
Effectively cloaked in high-tech flourishes from pounding music to a rock concert-worthy light show plus classic theatrical accoutrements like dancers, The Illusionists gathers seven inventive and distinctly different magicians in an enthralling show.
What do Cabaret, Chicago, Fun Home, Almost Maine and Angels in America have in common? Somebody somewhere has banned their production at some point. To push back, Zoetic Stage and the Dramatists’ Guild Legal Defense Fund with the Adrienne Arsht Center is producing a free staged reading of Banned Together: A Censorship Cabaret at 7 p.m. Monday at the Carnival Studio Theater at the Arsht Center.
This year, Sept. 10 might just mark the unofficial kickoff to the season, at least for Miamians when the Arsht will present its second-annual ARTSLAUNCH2016, a festive daylong confab at all six of the venue’s spaces plus the parking lot and surrounding area.
Cique Eloize’s Cirkopolis cast has in common with their itinerant ancestors is the determination to thrill audiences with death-defying feats of agility, daredevil tricks and silly clown antics.
The question that patrons and colleagues have kept asking critics with trepidation during the past week or so is whether they should invest more than 9 3/4 hours and $150 for each ticket to see the House Theatre of Chicago’s epic three-play production comprising The Hammer Trinity as part of the Arsht Center’s Theater Up Close series.
There are two crucial and easily misunderstood aspects to comprehend about The Hammer Trinity, a piece of epic storytelling playing eight weekends at the Arsht Center beginning this Saturday, produced by the hyper-imaginative House Theatre of Chicago and commanding a $150 ticket.
There’s something interesting about seeing at the Arsht Center a national tour of the 30-year-old Phantom of the Opera for the who-knows-which time. It’s amazing that people who have performed show three hundred times have not lost their edge as even the best professionals do over time. Instead, they have discovered all the colors and nuances possible in the work, and deliver them with confidence and brio.
The national tour of Kinky Boots was a well-polished evening of musical comedy with soulful ballads and glitzy production numbers, but this construction felt so manipulative, so by-the-numbers as if it, too, came off a factory production line.
It’s fortunate that Newsies is a dance-centric musical because much of the lyrics and dialogue were nearly impossible to understand in the national tour visiting the Arsht Center from Broadway Across America. But that dancing is spectacular and well-worth seeing.
By Bill Hirschman The primary thing usually missing from a Cirque du Soliel show is a discernable plot. Lookingglass Alice, slipping into the Arsht Center’s spectacle-driven summer extravaganza slot, may not have the multi-million-dollar budget and scope of those Vegas …