Tag Archives: Caryl Fantel
This 24th annual Summer Shorts festival of short plays scores as the most consistent, polished and satisfying work beginning to end that City Theatre has produced in recent seasons.
Instead of attempting the impossible task for imitating Ol’ Blue Eyes, MNM Theatre Company’s My Way, A Tribute to Frank Sinatra, is a solid, polished, thoroughly entertaining stroll through 58, yes 58, of the songs closely associated with his career
If you’re over 40 and you heard that some theater was reviving that chamber musical I Love You, You’re Perfect, Now Change… come on, you said, “Again?” So here’s the really good news: The venerable work about male-female relationships has been updated and overhauled in MNM Theatre’s vibrant production.
Breaking Up Is Hard To Do — which hangs a plot or two around 18 of the songs by 1960s pop icon Neil Sedaka, is the perfect swan song to close this chapter of the Broward Stage Door as it gets ready for its new home.
They make it look so easy.
The 23rd annual City Theatre Summer Shorts crew slip seamlessly from broad comedy with a hint of a moral to bittersweet drama with a soupcon of dry wit and back again in nine separate playlets.
It’s fun — and in the two hours of Outre Theatre Company’s transportive production of Hedwig and the Angry Inch, even somehow plausible—to believe that Mike Westrich always has been Hedwig and always will be Hedwig. Free of camp, and gracious even when she’s delivering bawdy double entendres, this Hedwig disappears into the actor as much as the actor becomes her
Graced with a soaring pulsing score, leading actors with passionate voices and a wealth of evocative choreography, the Wick Theatre’s Brigadoon lands as one of the company’s most memorable achievements.
Local stages have some special programs running for only one or two days starting tonight including Palm Beach Dramaworks, GableStage and Arts Garage.
Beehive, yet another innocuous transitorily entertaining revue tracing music sung by women through the 1960s, highlights, intentionally or not, one trenchant observation. The same early Baby Boomers who started the decade enthusiastically singing along to Lesley Gore’s “It’s My Party” ended up wailing with Janis Joplin’s “Cry Baby.”
Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.