Tag Archives: Caryl Fantel
Miami’s Shorts Is Once Again A Welcome Summer Cooler
They make it look so easy.
The 23rd annual City Theatre Summer Shorts crew slip seamlessly from broad comedy with a hint of a moral to bittersweet drama with a soupcon of dry wit and back again in nine separate playlets.
Comedian, Rock Star, Memoirist—Mike Westrich’s Dazzling Hedwig Is All Three
It’s fun — and in the two hours of Outre Theatre Company’s transportive production of Hedwig and the Angry Inch, even somehow plausible—to believe that Mike Westrich always has been Hedwig and always will be Hedwig. Free of camp, and gracious even when she’s delivering bawdy double entendres, this Hedwig disappears into the actor as much as the actor becomes her
More Than One Kind of Miracle: The Wick’s Lovely Brigadoon
Graced with a soaring pulsing score, leading actors with passionate voices and a wealth of evocative choreography, the Wick Theatre’s Brigadoon lands as one of the company’s most memorable achievements.
Music In The Air: A Few Sweet Notes From Radosh, Fantel, Keelor — And Even Ben Hecht
Local stages have some special programs running for only one or two days starting tonight including Palm Beach Dramaworks, GableStage and Arts Garage.
Women Rule Across The 1960s In The Wick’s Retro Revue Beehive
Beehive, yet another innocuous transitorily entertaining revue tracing music sung by women through the 1960s, highlights, intentionally or not, one trenchant observation. The same early Baby Boomers who started the decade enthusiastically singing along to Lesley Gore’s “It’s My Party” ended up wailing with Janis Joplin’s “Cry Baby.”
Sondheim’s Swelling Passion Explores Nature Of True Love
To say that Sondheim’s Passion is not to every intelligent patron’s taste is an understatement. But if you can open yourself up to it, Zoetic Stage’s production is a transcendent work of performance art with the power to rip into your psyche and reaffirm the transformative power of love.
Outre’s Bed & Sofa Is Uneasy Mix Of Opera, Silent Film, Theater
The collision of two never-subtle art forms in Bed and Sofa is certainly intriguing as befits Outré Theatre Company’s mission of fearlessly pushing the boundaries of theater, thanks in part to the commitment of Outré’s directors and performers. But this bizarre entry never lands solidly.
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