Author Archives: Bill Hirschman
No Argument: Fighting Over Beverley Shouldn’t Be Missed
Entirely well-acted, thoughtfully directed, in a evolved play about past loves we can’t leave behind, Fighting Over Beverley by Israel Horovitz has its way way off Broadway tryout at Theatre at Arts Garage.
The Musical Rags at The Plaza Theatre Is In Need Of Alteration
It is wonderful to see creativity in approaching a work that isn’t usually staged; the bad news is, when it doesn’t come together, all of the inventiveness is lost. Such is the case with The Plaza Theatre’s mounting of Rags.
Florida Grand Opera’s No Exit Ascends Hot Damn Perfection
With its ingenious, acrobatic score, and exceptional singers who could handle both the drama and the demands, FGO’s No Exit may have been a depiction of hell, but the production was hot damn perfection. The only regret was that this was a three-day run. If you must, go through heaven and hell to get to the final performance of this production tonight. It’s a once in lifetime experience.
Christopher Demos-Brown Is Finalist For Steinberg/Theatre Critics’ Playwriting Award
Christopher Demos-Brown is among six finalists for one of the most esteemed playwriting honors in the country, the Harold and Mimi Steinberg/American Theatre Critics Association New Play Award.
The selection was based on the script for his play Fear Up Harsh that premiered in November at Zoetic Stage.
Thinking Cap’s Pool (No Water) Dives In Artistic Schadenfreude
Jealousy, ego and unbridled schadenfreude that exist in any human being seem to be intensified among the rarefied spirits we call artists – at least that seems to be thrust of Mark Ravenhill’s droll little satire, Pool (No Water) enjoying a hoot of an outing thanks to Thinking Cap Theatre.
Maltz’s Other Desert Cities Struggles In Arid First Half But Delivers Wrenching Second Act
All through the engrossing and ultimately wrenching second act of the Maltz Jupiter Theatre’s production of Other Desert Cities, one question screamed for an answer: Where were you people in the first act? The competent cast slogs through the exposition until they finally get create plausible characters in the second act.
Rewritten And Rewritten, Schwartz/Strouse Musical Rags Gets One More At Plaza Theatre
Few Broadway shows can equal the track record of 1986’s Rags: closed after four performances, rewritten, remounted, rewritten again. There are at least 10 scripts. But something about the drama about immigrants on the Lower East Side keeps artists and audiences coming back. And now, Rags has been overhauled for a run at The Plaza Theatre in Manalapan.
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