Author Archives: Bill Hirschman
Hats off, Evening Star Productions, for insider’s theater that is satirically spot on in the comedy Gutenberg! The Musical.
What do Cabaret, Chicago, Fun Home, Almost Maine and Angels in America have in common? Somebody somewhere has banned their production at some point. To push back, Zoetic Stage and the Dramatists’ Guild Legal Defense Fund with the Adrienne Arsht Center is producing a free staged reading of Banned Together: A Censorship Cabaret at 7 p.m. Monday at the Carnival Studio Theater at the Arsht Center.
Circle Mirror Transformation is finally receiving its professional regional premiere by the intrepid Area Stage Co., and the disarmingly funny production is a ravishing success for Baker purists and newbies alike. It’s a more accessible introduction to her work than the other two plays while still proceeding with uncompromising naturalism.
A Public Reading of an Unproduced Screenplay about the Death of Walt Disney is not easy theater, by any means, but not one that Thinking Cap would ever shy away from. Their tagline is “theatre exploding with thought” and if any play fits the mission, this one does
Larry Parr’s Invasion of Privacy from Pigs Do Fly Productions, based on a lawsuit against Florida’s beloved Marjorie Kinnan Rawlings, lays intriguing thought-provoking ideas on the table, but basically just leaves them there.
The Broward Stage Door Theatre production of the 1970 musical The Rothschilds, about the famed family’s rise from the German ghetto to become on the wealthiest families in the world, is a reasonably diverting afternoon of theater worth a look at a show rarely produced, but its ultimate potential seems just a few steps out of reach.
This year, Sept. 10 might just mark the unofficial kickoff to the season, at least for Miamians when the Arsht will present its second-annual ARTSLAUNCH2016, a festive daylong confab at all six of the venue’s spaces plus the parking lot and surrounding area.
We’ve written a paragraph like this only two or three times: Stop what you are doing. Stop reading this review. Go to the phone or online and order tickets right now for Ground Up & Rising’s superb production of Stephen Adly Gurgis’ Our Lady of 121st Street.
By Bill Hirschman The dictionary translates the Latin phrase “sui generis” as “constituting a class of its own,” but more commonly it’s used to mean “not like anything else,” often with the implication of excellence. The expression insinuated itself over …
The easiest way to grasp a sense of the Festival, its styles and ethos is to recount and review the individual productions we saw during a trip last month. Hidden within may be insights that can be adopted by South Florida theaters.