Author Archives: Bill Hirschman
Broward Stage Door Theatre has mounted a warmly delightful production of Joe Di Pietro’s The Last Romance, a bittersweet play about love, loss and loneliness and how the twilight years hold out that last hope for the shimmer, twinkle and spark of love’s first bliss.
The magic of serendipity: It’s difficult to imagine — without being boxed into it as Miami Theater Company was — how an artistic director would thematically put together a season encompassing Hedda Gabler and The Seven Year Itch.
The Naked Stage’s annual 24-Hour Theatre Project is scheduled for 8 p.m. Monday, Oct. 27, hosted this year by Palm Beach Dramaworks in West Palm Beach. All proceeds will go directly to Dana Castellano — a longtime supporter of the entire South Florida theatre community — to help cover medical costs as she battles cervical cancer.
The primary pleasure of Slow Burn Theatre Company’s run at the legendarily miserable (but subsequently overhauled) musical Carrie is enjoying how glowing talent, unbridled earnestness and total commitment provides a worthy reason to watch what remains a flawed piece of raw material.
Teo Castellanos’ solo work Third Trinity, a commissioned work by Miami Light Project, is bold in its presentation, mostly because it’s an autobiographical story of Castellanos’ growing up — a story that, when said aloud, is like something out of a movie. Castellanos thought that too.
The Plaza Theatre in Manalapan declared bankruptcy and closed its doors Friday on the day that it was poised to begin its third season due to a precipitous drop in ticket sales and an inability to attract wealthy underwriters.
They know. It seems beyond hubris for Slow Burn Theatre to mount a musical whose debut has become a catchphrase for famous flops, as in “Not since Carrie has there been such a theatrical disaster.” But they think the reworked piece has virtues worth saving.
Peter and the Starcatcher, an alternative origin story for Peter Pan, is an ensemble piece featuring a dozen chameleonic storytellers, each with moments in the spotlight. But Theater Up Close’s profligately imaginative romp features standout performances by student Abigail Berkowitz, and veteran Nicholas Richberg
For such a seemingly simple play, Our Town requires the audience to generously invest their attention and imagination. Thornton Wilder’s classic only works when its visitors travel more than halfway there. But for those willing to make that journey, the gossamer delicate play can vibrate the heartstrings and the synapses.
The overall picture may seem a bit disjointed and fuzzy, but the world premiere of The Cuban Spring at New Theatre incisively depicts the complexities of Cuban-American families in modern Miami as their American-born generation conflicts with parents struggling with ghosts of their birthplace.