Tag Archives: Leah Sessa
The first things to know about Slow Burn Theater Company’s musical Groundhog Day is (a) do not go expecting to see the movie and (b) do not go expecting Bill Murray. The third thing is that it doesn’t matter. At all. This unapologetically uplifting, deeply poignant and very funny version is well worth seeing over and over on its own terms.
Few plays have been as ruthlessly photographic depicting the pornographic incest of lobbying and corruption as well as the clash of idealism and pragmatism as Sarah Burgess’ Kings, currently on the dissection tray at GableStage.
There are probably 27 synonyms for the word funny and 157 familiar tropes. All the words apply and all the classic bits can be found in Actors’ Playhouse’s farce One Man, Two Guvnors.
The Christmas season officially opened this weekend wrapped in pink. Elle Woods, leading a perky singing and dancing ensemble in Slow Burn Theatre Company’s ebullient Legally Blonde, lit up the Broward Center with a positive attitude that probably allows that Santa Claus might yet exist
Ronia, the Robber’s Daughter — the first offering of Theatre Lab’s family-friendly series — satisfies the parameters of youth theatre but with a pedigree that transcends its genre, a production bristles with imagination, wit and pathos that resonate across all generations.
With a cast of unfettered and inspired clowns, Thinking Cap Theatre has produced a hilarious edition of a 1687 comedy by Aphra Benn, The Emperor of the Moon, lathering almost every second of this commedia dell’arte farce with a humor encyclopedia’s worth of sight gags, comic timing, verbal delivery, bathroom humor and endless physical schtick — all delivered at a lickety-split pace by a comically nimble troupe.
If you are a Boomer (and be warned, maybe only if you’re a Boomer or their progeny), Slow Burn Theatre Company’s hilarious spoof Disaster! will be in contention for one of the silliest, stupidest and downright funniest nights you have had in theater in recent years.
Slow Burn Theatre Company’s production of The Bridges of Madison County is what critics save up our credibility for – so that when a work of art is this effective, this moving, this captivating, then you’ll know we are urging you to see something truly special.
One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
Lizzie: The Musical, is making its highly entertaining South Florida debut at Thinking Cap Theatre at The Vanguard. Part of that is due to the snappy lyrics. But mostly it’s because of the first-rate cast, and the sharp direction.