Tag Archives: Ashley Rubin

MNM’s Disenchanted Enchants

The musical Disenchanted is a highly entertaining, hysterical, irreverent, clever, poignant, profane, with several bits of profanity, reimagining of what happened to these princesses, making its South Florida premiere at MNM Theatre Company at the Kravis Center.

Posted in Performances, Reviews | Tagged , , , , , , , , , , | Leave a comment

Grease May Be The One You Might Want From MNM

Grease certainly is the word as the classic rock ‘n’ roll musical glides its way into a solid staging as the first joint production of MNM Theatre Company, North End Theater Company, and the City of Lauderhill. Add also the words energetic, entertaining and engaging as Grease’s enthusiastic cast takes its audiences back to the tunes and attitudes of 1959.

Posted in Reviews | Tagged , , , , , , , , , , , , , , , , | Leave a comment

Tragedy Tomorrow, Comedy Tonight At MNM’s A Funny Thing

MNM Theatre Company’s delightfully silly production of A Funny Thing Happened On The Way To The Forum is a musical that prides itself on broad low and often ribald humor, pratfalls, double takes and half the encyclopedia of vaudevillian comedy.

Posted in Performances, Reviews | Tagged , , , , , , , , , , , , , , , , , , , | Leave a comment

MNM’s Grease Struts Its Stuff When The Music Starts

If you hire strong voices as they did in MNM Theatre Company’s production, the venerable musical Grease cannot help but be entertaining with its elbow-nudging pastiche of faux late ‘50s-early ‘60s rock n’ roll. The challenge in which MNM doesn’t prevail is finding the difficult to locate tone for the script scenes because Grease is not simply a straight ahead comedy as it’s played here.

Posted in Performances, Reviews | Tagged , , , , , , , , , , , , , , , | Leave a comment

Victor/Victoria Is Two Times The Fun With Emphasis On Antics

There’s more than a bit of Noel Coward running through Broward Stage Door Theatre’s Victor/Victoria. It’s what makes this production tick, a true understanding, and might we say, appreciation of the slapstick foundation of the 1995 Broadway musical version of Blake Edward’s 1982 movie.

Posted in Performances, Reviews | Tagged , , , , , , , | Leave a comment

Lee Roy Reams’ Dolly Is At His/Her Best Inhabiting The Widow’s Resurrecting Reveries

The first question that everyone wants answered is: Is it possible to buy Lee Roy Reams as Dolly Levi in The Wick Theatre’s Hello, Dolly! The answer is “sometimes.” The answer also depends on how willing you are to accept the theatrical conceit of Reams being the second man ever to play the part, even with composer Jerry Herman’s blessing.

Posted in Performances, Reviews | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Stage Door Keeps Its Promises In Revival Of 1960’s Hit Musical

Broward Stage Door’s earnest intriguing revival of Promises, Promises embraces its up-to-the-moment pop score for 1968, a witty and insightful script, frenetic choreography that caught the zeitgeist of the time, and some deceptively subtle performances to become a wildly-popular hit just as the social fabric of the country was in transition.

Posted in Performances, Reviews | Tagged , , , , , , , , , , , , , , | Leave a comment