Tag Archives: Ben Sandomir

“Disaster!” Is Anything But

If you are a Boomer (and be warned, maybe only if you’re a Boomer or their progeny), Slow Burn Theatre Company’s hilarious spoof Disaster! will be in contention for one of the silliest, stupidest and downright funniest nights you have had in theater in recent years.

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Peter Still Refuses To Grow Up, Thankfully, In Starcatcher

Slow Burn Theatre Company’s rollicking race-down-the-hill production of Peter and the Starcatcher is a joyful hoot packed with more sight gags, puns, pratfalls, wordplay and even a bit of wistfulness than arguably any other recent work including the current The Play That Goes Wrong.

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Growing Old Ain’t All Sunshine For The Boys At Stage Door

Seniors and caretaking Boomers recognize the real pain informing the facile catchphrase “Growing old is not for sissies” – a quality sharing the stage with copious laughs in Broward Stage Door’s production of Neil Simon’s The Sunshine Boys.

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Evening Star’s ‘Gutenberg! The Musical’ Is Spot-On Satire

Hats off, Evening Star Productions, for insider’s theater that is satirically spot on in the comedy Gutenberg! The Musical.

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Slow Burn’s Heathers Sings To The Teenage Misfit In Us All

You know you wanted to murder some abusive soul-crushing bullies and snobs when you were in high school. Heathers knows it and wants to liberate your daydream. So do the cool kids and not-so-cool kids at Slow Burn Theatre Company giving a hilarious don’t-miss production of the 2014 off-Broadway musical version of the 1988 cult classic film.

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Island City’s Latest Beats Prejudice Into ‘Submission’

Jeff Talbott’s The Submission, enjoying its regional premiere from Island City Stage, is predicated on the realization that “Everyone’s a little bit racist.” It charts the ignition of a racial flashpoint in the theater world over the span of a year, as liberal creative types are forced to confront long-dormant prejudices.

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Love Or Hate Wildhorn, Marquee’s Jekyll & Hyde Has Two Powerful Performances

Sometimes, as with Marquee Theater’s Jekyll & Hyde, the performances are so powerful that you forget the material isn’t worthy. Wildhorn’s pop-infused power ballad-addicted aesthetic divides fans. But there’s no ambivalence in this company’s enthusiasm and strong performances of Ben Sandomir in the title roles and, Alexandria Lugo as Lucy, the hooker-with-a-heart-of-gold and vocal-chords-of-steel.

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Slow Burn Lands Really Big Fish In Bow At The Broward Center

With this production of Big Fish, Slow Burn Theatre Company has proven itself with no asterisks to be the equal of any company producing musicals in the region, some with far more resources, government grants and well-heeled donors — not to mention among the most adventurous in tackling what few others attempt.

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Singing Their Hearts Out Over Last Five Years At Evening Star

Evening Star Production’s fervent mounting of Jason Robert Brown’s cult musical The Last Five Years invests infinite compassion for the eddying gain and loss in one of the most intriguing constructs in musical theater.

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Parade Productions’ Undo Charts Divorce By Replaying Wedding In Reverse

Undo’s premise – a Jewish divorce ceremony that rewinds a couple’s wedding day — sounds so much like a sitcom episode that you keep expecting it to slide into shallow farce. But it doesn’t. The script is shot through with mordant gallows humor, but Parade Productions’ edition keeps excavating the marrow of marital and familial relationships.

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