Blonde Poison asks whether a Jewish woman who identified about 3,000 other Jews to the Gestapo for “deportation,” is “villain or victim?” But playwright Gail Louw, Primal Forces director Keith Garsson and a tour de force performance by Lourelene Snedeker tell the story from inside the protagonist’s mind.
The prickly problematic mutual attempts to heal physically and emotionally by an auto accident victim and the offending driver make an intriguing and rewarding drama at Primal Forces’ An Accident
In a bit of serendipitous synchronicity with the sequel of Blade Runner and the reboot of Westworld, Primal Forces’ production of The Good Girl explores the complexities of humans creating creatures with artificial intelligence by asking who is influencing who in a world in which technology and humanity are so intertwined.
Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.
Posted in Features
Tagged 1776, A Public Reading of an Unproduced Screenplay about the Death of Walt Disney, Actors Playhouse, After, Alex Alvarez, An Act of God, Andre' L Gainey, Anna Lise Jensen, Area Stage Co., Arts Garage, Arturo Rossi, Avery Sommers, Aygemang Clay, Barbara Bradshaw, Ben Bagby. The Normal Heart, Bert Rodriguez, Bessie Smith: The Devils’ Music, Betsy Graver, Broward Stage Door, Buyer & Cellar, Caryl Fantel, Charlie Cinnamon, Chris Crawford, Clay Cartland, Conor Walton, Dan Knechtges, David Arisco, David Nagy, Deana Butler-Rahming Ja’Nia Harden, Deborah Zoe Laufer, Elizabeth Dimon, Evening Star Productions, Feeding The Bear, Florida Grand Opera, GableStage, Genie Croft, Gregg Weiner, Gretchen Porro, Ground Up and Rising, Hand To God, Heathers, Helen Gregory, I Love A Piano, Island City Stage, James Brennan, Jeni Hacker, Jim Gibbons, Jodi Dellaventura, John Harden II, Joseph Adler, Julie Kleiner Davis, Karen Stephens, Keith Garsson, Kevin Black, Kristian Bikic, Larry Buzzeo, Laura Hodos, Lindsey Corey, Long Day's Journey Into Night, Louis Tyrrell, Lourelene Snedeker, Mad Cat Theatre Company, Maltz Jupiter Theatre, Marco Ramirez, Margery Lowe, Maria Elena Garcia, Mark Duncan, Matt Loehr, Matthew Korinko, Maureen Anderman, Me and My Girl, Mia Matthews, Michael Aman, Michael McKeever, Million Dollar Quartet, Mud, Murdered To Death, New Theatre, Nicholas Richberg, Nicole Stodard, Niki Fridh, Our Lady of 121st Street, outre theatre company, Palm Beach Dramaworks, Parallel Lives Chris Crawford, Passion, Patrick Fitzwater, Paul Tei, Perfect Arrangement, Peter Galman, Peter Lovello, Putting It Together, Rapture Blister Burn, Ricky J. Martinez, Ron Hutchins, Roof, Rudi Goblen, Sarah Gracel Anderson, Shein Mompremier, Simply Simone: The Music of Nina Simone, Skye Whitcomb, Slow Burn Theatre Company, Smoke, Sondheim On Sondheim, Spring Awakening, Stuart Meltzer, Teddy Harrell, The Flick, The Hunchback of Notre Dame, The Minister’s Wife, The Nether, The Passenger, The Realistic Joneses, The Royale, The Soul of Motor City, The Wick Theatre, The World Goes Round, Theatre At Arts Garage, Theatre Lab at Florida Atlantic University, Thinking Cap Theatre, This Random World, Three Sisters of Weekhauken, Toddra Brunson, Tom Wahl, Wesley Slade, West Side Story, William Hayes
“Here be monsters” repeatedly warns one of the two weird sisters at the center of the bizarre Gothic horror play Cuddles at Theatre at Arts Garage, but the creatures to beware are much different than the ones referenced by the ancient sea maps. But it is safe to say that Cuddles rates as one of the most “out there” plays you will have seen in the past year.
A different season advance: Quietly, oh so quietly, the 2016-2017 theater season in South Florida is shaping up to be as notable for tidal growth, contraction, ebb and flow as it is for the actual productions scheduled.
Posted in Features
Tagged Actors Playhouse, Andie Arthur, Antonio Amadeo, Arquitectonica International Corp., Arts Garage, Aventura Arts & Culture Center, Broward Center, Coconut Grove Playhouse, Colony Theatre, Coral Springs Center for the Arts, Crest Theatre, Dave Arisco, David Gordon, Empire Stage, Fantasy Theatre Factory, Florida Atlantic University, Florida International University, GableStage, Gabriel Hammad, Giancarlo Rodaz, Infinite Abyss, Island City Stage, Israel Horovitz. Deborah Zoe Laufer, Katherine Amadeo, Katherine Siegel, Keith Garsson, Lost Girls Theatre, Louis Tyrrell, M Ensemble, Main Street Players, Mark Della Ventura, Meera Hammad, Miami New Drama, Michel Hausmann, Moises Kaufman, Naked Stage, New City Players, New Theatre, outre theatre company, Palm Beach Dramaworks, Pigs Do Fly Productions, Punchline Theatre Company, Showtime Performing Arts Theatre, Slowburn Theatre Company, Stringlight Theatre Co., Theatre Lab, Thinking Cap Theatre, Vanguard Sanctuary for the Arts
Arts Garage has appointed a new management team to replace its founding administrator who resigned abruptly. Keith Garsson, who has led the theater operation will become the director of operations. Commanding equal clout will be Daniel Schwartz as director of finance, who was hired last year to reorganize the venue’s much-criticized fiscal policies and situation.
Unless you spend hours in the darker corners of the Internet, you have never seen soul scorching theater precisely like Arts Garage’s Smoke, an excoriating tale of sex as a razor-sharp weapon in a war for dominance that has nothing to with pleasure, let alone love.
Arts Garage’s Reborning is a thought-provoking work hints at many weighty topics—the anxieties of pending motherhood, the conflicting desires to both nurture and destroy, the futility of trying to re-create what is lost—but none are fleshed out to a degree of dramaturgical satisfaction.