Tag Archives: Keith Garsson
Nothing is Simple in Boca Stage’s Thought-Provoking Luna Gale
Social workers face tragedies in which there may be no satisfying solutions and in which the warring parties truly want “what’s best for the child.” Those dilemmas echo larger questions in which we all seek to choose the best path in a world of complexity and limited options. Such is the core of Luna Gale virtually defining “a thought-provoking play,” receiving an engrossing production at Boca Stage.
Hardworking Artists Can’t Overcome Predictable Script About Marilyn Monroe
There’s nothing especially wrong with Boca Stage’s The Unremarkable Death of Marilyn Monroe, certainly not with the admirably tireless, skillful efforts of Leah Sessa or Keith Garsson. But in the end, playwright Elton Townend Jones gives us nothing at all new – least of all fresh insight — in a predictable rehash of the legend or the truth behind the legend.
2020 SoFla Theater: What A Long Strange Trip It’s Been
A look back at 2020: Yes, South Florida theater was crippled by the pandemic. But its acolytes remained driven to express their artistry, and patrons remained ravenous for their work. They continued to explore projects, create avenues and seek paychecks with efforts ranged from filmed full-fledged productions to monologues newly penned in bedrooms.
A Funny Thing Really Did Happen on the Way to the Gynecologic Oncology Unit
Plenty of laughter, and quite a few tears, punctuate the dramatic comedy, or comic drama, if you prefer in A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan Kettering Cancer Center of New York City, receiving an energetic, perceptive production directed by Keith Garsson at Primal Forces in Boca Raton.
Blonde Poison: Rationalization Of Evil Seen From The Inside
Blonde Poison asks whether a Jewish woman who identified about 3,000 other Jews to the Gestapo for “deportation,” is “villain or victim?” But playwright Gail Louw, Primal Forces director Keith Garsson and a tour de force performance by Lourelene Snedeker tell the story from inside the protagonist’s mind.
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