Tag Archives: Keith Garsson
Blonde Poison: Rationalization Of Evil Seen From The Inside
Blonde Poison asks whether a Jewish woman who identified about 3,000 other Jews to the Gestapo for “deportation,” is “villain or victim?” But playwright Gail Louw, Primal Forces director Keith Garsson and a tour de force performance by Lourelene Snedeker tell the story from inside the protagonist’s mind.
Angie Radosh Gives Harrowing Performance In Breadcrumbs
Angie Radosh’s face, not to mention her body language, provides an unimpeded view deep into the soul of a writer battling an inevitable descent into the spiral of Alzheimer’s disease in Primal Force’s unnerving production of Breadcrumbs. Her tour de force provides another of the don’t-miss acting performances of the season to date.
Success Of Primal Forces’ New ‘An Accident’ Is No Accident
The prickly problematic mutual attempts to heal physically and emotionally by an auto accident victim and the offending driver make an intriguing and rewarding drama at Primal Forces’ An Accident
Sex In Primal Forces’ ‘The Good Girl:’ Is It Real Or Replicant?
In a bit of serendipitous synchronicity with the sequel of Blade Runner and the reboot of Westworld, Primal Forces’ production of The Good Girl explores the complexities of humans creating creatures with artificial intelligence by asking who is influencing who in a world in which technology and humanity are so intertwined.
Guaranteed To Split The Audience: Seriously Strange ‘Cuddles’ At Arts Garage
“Here be monsters” repeatedly warns one of the two weird sisters at the center of the bizarre Gothic horror play Cuddles at Theatre at Arts Garage, but the creatures to beware are much different than the ones referenced by the ancient sea maps. But it is safe to say that Cuddles rates as one of the most “out there” plays you will have seen in the past year.
A Theatrical State Of The Union For South Florida Fall 2016
A different season advance: Quietly, oh so quietly, the 2016-2017 theater season in South Florida is shaping up to be as notable for tidal growth, contraction, ebb and flow as it is for the actual productions scheduled.
Regime Change At Arts Garage: Keith Garsson, Daniel Schwartz
Arts Garage has appointed a new management team to replace its founding administrator who resigned abruptly. Keith Garsson, who has led the theater operation will become the director of operations. Commanding equal clout will be Daniel Schwartz as director of finance, who was hired last year to reorganize the venue’s much-criticized fiscal policies and situation.
Arts Garage’s Scorching Smoke Suffused With Sex As A Weapon
Unless you spend hours in the darker corners of the Internet, you have never seen soul scorching theater precisely like Arts Garage’s Smoke, an excoriating tale of sex as a razor-sharp weapon in a war for dominance that has nothing to with pleasure, let alone love.
Arts Garage’s Reborning: An Emotionally Adrift But Provocative Psychodrama
Arts Garage’s Reborning is a thought-provoking work hints at many weighty topics—the anxieties of pending motherhood, the conflicting desires to both nurture and destroy, the futility of trying to re-create what is lost—but none are fleshed out to a degree of dramaturgical satisfaction.
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