Tag Archives: Larry Buzzeo
Sweet Charity is a fundamentally flawed showcase that virtually no one has ever pulled off satisfyingly, but Broward Stage Door director Michael Leeds makes a solid enough stab at it that a receptive undemanding audiences won’t mind having spent a few hours in its pleasant company.
Political satire is like the finest champagne – delectable at the time but going flat with age. But in the meantime, as Shorts Gone Wild 4 (subtitled Decision 2016: It’s Gonna Be Yuuuuuge!) underscores, what a terrific way to blow off angst over today’s polarized landscape.
The Jazz Singer: The Musical never really takes its audience back in time, but has a false feeling that we’re watching actors put on a play. But there are reasons this production at the Willow Theatre is an audience crowd pleaser: audience sing-a-longs of timeless standards and talented actors who give it their all.
If the context of the eight sketches in Shorts Gone Wild 3 is primarily gay-centric, the material and performances have markedly improved year after year until it has reached a high-water mark in the series’ quality.
Michael McKeever’s stunning world premiere play Daniel’s Husband at Island City Stage is an indelible and inarguable exhibit that love between human begins is unquantifiably precious and inarguably valid — regardless of sexuality.
Loaded with lots of laugh lines and inside theater jokes, POZ at Island City Stage has some supremely likeable characters. Yet there’s just something a little bit too snappy about this world premiere. It tries just a bit too hard, especially when convincing the audience that this lively cast of characters are real people with real problems.
So the Cowardly Lion walks into a gay bar…. That premise pretty reliably lets you know that you must be watching the new edition of Shorts Gone Wild 2, the mildly risqué festival of short plays with a LGBT underpinning.
Like a scruffy stray found on the streets with little promise of being housebroken, Slow Burn Theatre Company’s musical High Fidelity shouldn’t be so appealing and downright winning. But it is. The sense that the energetic cast and creative team seem to be having this much fun should enchant most anyone open to a summer lark.
The small, yet “can do” Island City Stage swept the Carbonell Awards for the drama The Timekeepers. Its latest comedy, Have I Got A Girl For You, has an originality that shows what this company really can do.
As the season heats up, we enter a period with many openings in the same week. That means reviews will only be in the top four positions for four or five days. To see earlier reviews, check out the red …