Tag Archives: Larry Buzzeo
The small, yet “can do” Island City Stage swept the Carbonell Awards for the drama The Timekeepers. Its latest comedy, Have I Got A Girl For You, has an originality that shows what this company really can do.
As the season heats up, we enter a period with many openings in the same week. That means reviews will only be in the top four positions for four or five days. To see earlier reviews, check out the red …
Shorts Gone Wild is pretty tame stuff for South Florida, but this outing of light comedies with a live-and-let-live LGBT message is more consistently entertaining than some of City Theatre’s earlier forays into an alternative adults-only version of its venerable Summer Shorts program.
It’s weird but wonderful that two full decades after the height of the AIDS crisis that Paul Rudnick’s touching but hilarious satire Jeffrey now revived at Miami Beach Stage Door Theatre feels a bit like a period piece. The reason Jeffrey still works, Rudnick’s uninhibited wicked wit aside, is that the underlying themes are universal and timeless.
For a comedy about the magical transformation of man into a pig and how that opens up his lover’s ability to commit to true love, there’s plenty of laughs but not a lot of magic in Pig Tale, An Urban Faerie Story, now being presented by Island City Stage and Empire Stage
A goofball sensibility drenches Slow Burn Theatre Company’s first summer froth-fest, the loopy lampoon of the flop movie musical Xanadu. To be truthful, the company was far funnier, crisper and engaging in Urinetown, but it would take a congenital curmudgeon not to acknowledge that the troupe’s enthusiasm is incurably infectious and winning.
By Bill Hirschman Six Dance Lessons in Six Weeks is a gentle message comedy about lonely people reaching out somewhat obliquely for human contact. But this occasionally charming pas de deux at Stage Door’s Miami Beach venue is thrown out …
Slow Burn Theatre’s production of Urinetown the Musical marks another milestone in the young troupe’s evolution as a reliable purveyor of edgy, offbeat musical theater that few other mainstream companies have the courage to produce.
This paean to hedonism doesn’t need a critic’s affirmation. It is exactly what it wants to be: big, silly, mindless, nose-thumbing, irreverent fun.
The Andrews Living Arts Studio deserves credit for attempting the epic masterpiece Angels In America, Part 1: Millenium Approaches. Unfortunately, the laudable desire to conquer mountains doesn’t protect you from falling into crevasses. While the production is barely mediocre with flashes of competency, somehow the poetry, the resonances, the genius of Tony Kushner’s script came through more clearly than in any of four earlier productions I’ve seen.