Tag Archives: Larry Buzzeo
Michael McKeever’s stunning world premiere play Daniel’s Husband at Island City Stage is an indelible and inarguable exhibit that love between human begins is unquantifiably precious and inarguably valid — regardless of sexuality.
Loaded with lots of laugh lines and inside theater jokes, POZ at Island City Stage has some supremely likeable characters. Yet there’s just something a little bit too snappy about this world premiere. It tries just a bit too hard, especially when convincing the audience that this lively cast of characters are real people with real problems.
So the Cowardly Lion walks into a gay bar…. That premise pretty reliably lets you know that you must be watching the new edition of Shorts Gone Wild 2, the mildly risqué festival of short plays with a LGBT underpinning.
Like a scruffy stray found on the streets with little promise of being housebroken, Slow Burn Theatre Company’s musical High Fidelity shouldn’t be so appealing and downright winning. But it is. The sense that the energetic cast and creative team seem to be having this much fun should enchant most anyone open to a summer lark.
The small, yet “can do” Island City Stage swept the Carbonell Awards for the drama The Timekeepers. Its latest comedy, Have I Got A Girl For You, has an originality that shows what this company really can do.
As the season heats up, we enter a period with many openings in the same week. That means reviews will only be in the top four positions for four or five days. To see earlier reviews, check out the red …
Shorts Gone Wild is pretty tame stuff for South Florida, but this outing of light comedies with a live-and-let-live LGBT message is more consistently entertaining than some of City Theatre’s earlier forays into an alternative adults-only version of its venerable Summer Shorts program.
It’s weird but wonderful that two full decades after the height of the AIDS crisis that Paul Rudnick’s touching but hilarious satire Jeffrey now revived at Miami Beach Stage Door Theatre feels a bit like a period piece. The reason Jeffrey still works, Rudnick’s uninhibited wicked wit aside, is that the underlying themes are universal and timeless.
For a comedy about the magical transformation of man into a pig and how that opens up his lover’s ability to commit to true love, there’s plenty of laughs but not a lot of magic in Pig Tale, An Urban Faerie Story, now being presented by Island City Stage and Empire Stage
A goofball sensibility drenches Slow Burn Theatre Company’s first summer froth-fest, the loopy lampoon of the flop movie musical Xanadu. To be truthful, the company was far funnier, crisper and engaging in Urinetown, but it would take a congenital curmudgeon not to acknowledge that the troupe’s enthusiasm is incurably infectious and winning.