Tag Archives: The Wick Theatre
Later we’ll get to the surprisingly strong performance of an America’s Got Talent semi-finalist in the title role; more importantly, the Wick Theatre’s production of Evita is a painful reminder of just how current the 1976 work remains as a cautionary tale of faux populism harnessed by unscrupulous power seekers.
There may never be as great a production of The Music Man as the lightning-in-a-bottle original with performances of Barbara Cook and Robert Preston. But the Wick Theatre edition led by Norb Joerder and starring John Tartaglia and Julie Kleiner is as satisfying and entertaining a holiday treat as you could ask for.
To paraphrase A Chorus Line for the Wick Theatre’s Hot Shoe Shuffle: Dance 10, Books 3. Whenever this troupe of supremely talented terpsichoreans start tapping in precision sync, backed by a live full-throated swing band, audiences will be thrilled. Then they open their mouths.
Lots of news about Palm Beach Dramaworks’ new play festival, Lois Pope teams up with Jan McArt, Playgroup LLC to close, fundraisers for Slow Burn, GableStage and Insight for the Blind
It took a crushed femur for Boca Raton resident Bonnie Logan to find her passion – writing for the stage. Indeed, if Logan hadn’t broken the thickest bone of the human skeleton, she wouldn’t be preparing to mount her first theater piece, Boca Bound: A New Musical. The world premiere run from Sept. 19-22 at Boca Raton’s Wick Theatre.
Theater Cues & News: Matilda Jr., New City Reading, A New Patsy, Moving Measure, Theatre Lab Experiments, Traffic Woes
News of Broward Center & local students create Matilda Jr., New City Players seeks feedback on new play, Wick extends and gets new Patsy Cline, TCG brings 1,000 artists to Miami, Measure for Measure gets new home, Theatre Lab to have longer runs
In 2019, if you want some idea what the original production of Crazy For You was like, or what those Depression Era musicals were like, live and in the flesh, settle in for The Wick Theatre’s glorious revival.
Few theatrical challenges are as a daunting as actor taking on an iconic role made unforgettable by an inimitable talent in a career-making performance engraved in the popular consciousness. But actress Stephanie Maloney has surmounted that peak in her unassailably solid and personalized incarnation of Fanny Brice in The Wick Theatre’s Funny Girl.
It’s not that it’s impossible to mess up the musical Annie, but when you have a reliable troupe of talented hands like those connected to the current Wick Theatre production, you are guaranteed an entertaining evening.
This may seem a backhanded compliment, but it is meant with awe : The most memorable aspect of The Wick Theatre’s The Pirates of Penzance is you can understand the bloody words. The production has many other virtues: delightfully broad comedy a parade of costumes that are a hoot in themselves, first-rate soloists and an overwhelming choir-smooth ensemble.