Palm Beach Dramaworks’ team finds the special vibe of Martin McDonagh’s dark comedy set in an unforgiving climate of the heart in The Cripple of Inishmaan.
Posted in Performances, Reviews
Tagged Adam Petherbridge, Adelind Horan, Colin McPhillamy, Dennis Creaghan, Elizabeth Dimon, Franne Lee, Harriet Oser, J. Barry Lewis, Jim Ballard, LauraTurnbull, Martin McDonagh, Palm Beach Dramaworks, Paul Black, Steve Shapiro, Victor Becker, Wesley Slade
To avoid spoiling the specific emotional U-turns, all that veteran theatergoers need to know about The Cripple of Inishmaan opening at Palm Beach Dramaworks this month is that it’s a classic exemplar of the Martin McDonagh oeuvre that alternates raucous raunchy wit and heart-searing tragedy, sometimes punctuated with bloody violence.
Palm Beach Dramaworks’ production of Arcadia is Tom Stoppard’s love letter to the miracle of human intelligence’s pursuit of learning — with a gentle jab at the hubris of those who are so taken with that pursuit.
Posted in Performances, Reviews
Tagged Anne Mundel, Arcadia, Arielle Fishman, Brian O'Keefe, Britt Michael Gordon, Caitlin Cohn, Casey Butler, Cliff Burgess, Dan Leonard, Don Thomas, Gary Cadwallader, J. Barry Lewis, James Andreassi, Margery Lowe, Palm Beach Dramaworks, Peter Simon Hilton, Ryan Zachary Ward, Steve Shapiro, Tom Stoppard, Vanessa Morosco
When idea-hungry audiences at Palm Beach Dramaworks who have cheered Ionesco and Albee are faced with something less challenging, some complain to Producing Artistic Director William Hayes that they can see that fare elsewhere. They will get their wish in extremis this month with Tom Stoppard’s Arcadia.
Palm Beach Dramaworks’ production of Collected Stories is not only one of the most affective and effective dramas seen in the region for many months, it offers a superb performance by a young actress Keira Keeley molded by gifted director Paul Stancato, and one of the best performances by an experienced actress we’ve seen in a long, long time, that of Anne-Marie Cusson.
Billy and Me, a world premiere by theater critic Terry Teachout about the difficult friendship of legendary playwrights William Inge and Tennessee Williams, will be one of the highlights in next season’s slate at Palm Beach Dramaworks.
The 21st Century paradigm for developing new plays in on display this month at Palm Beach Dramaworks’ Dramaworkshop “developmental” production of Jennifer Faletto’s Domestic Animals.
Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.
Posted in Features
Tagged 1776, A Public Reading of an Unproduced Screenplay about the Death of Walt Disney, Actors Playhouse, After, Alex Alvarez, An Act of God, Andre' L Gainey, Anna Lise Jensen, Area Stage Co., Arts Garage, Arturo Rossi, Avery Sommers, Aygemang Clay, Barbara Bradshaw, Ben Bagby. The Normal Heart, Bert Rodriguez, Bessie Smith: The Devils’ Music, Betsy Graver, Broward Stage Door, Buyer & Cellar, Caryl Fantel, Charlie Cinnamon, Chris Crawford, Clay Cartland, Conor Walton, Dan Knechtges, David Arisco, David Nagy, Deana Butler-Rahming Ja’Nia Harden, Deborah Zoe Laufer, Elizabeth Dimon, Evening Star Productions, Feeding The Bear, Florida Grand Opera, GableStage, Genie Croft, Gregg Weiner, Gretchen Porro, Ground Up and Rising, Hand To God, Heathers, Helen Gregory, I Love A Piano, Island City Stage, James Brennan, Jeni Hacker, Jim Gibbons, Jodi Dellaventura, John Harden II, Joseph Adler, Julie Kleiner Davis, Karen Stephens, Keith Garsson, Kevin Black, Kristian Bikic, Larry Buzzeo, Laura Hodos, Lindsey Corey, Long Day's Journey Into Night, Louis Tyrrell, Lourelene Snedeker, Mad Cat Theatre Company, Maltz Jupiter Theatre, Marco Ramirez, Margery Lowe, Maria Elena Garcia, Mark Duncan, Matt Loehr, Matthew Korinko, Maureen Anderman, Me and My Girl, Mia Matthews, Michael Aman, Michael McKeever, Million Dollar Quartet, Mud, Murdered To Death, New Theatre, Nicholas Richberg, Nicole Stodard, Niki Fridh, Our Lady of 121st Street, outre theatre company, Palm Beach Dramaworks, Parallel Lives Chris Crawford, Passion, Patrick Fitzwater, Paul Tei, Perfect Arrangement, Peter Galman, Peter Lovello, Putting It Together, Rapture Blister Burn, Ricky J. Martinez, Ron Hutchins, Roof, Rudi Goblen, Sarah Gracel Anderson, Shein Mompremier, Simply Simone: The Music of Nina Simone, Skye Whitcomb, Slow Burn Theatre Company, Smoke, Sondheim On Sondheim, Spring Awakening, Stuart Meltzer, Teddy Harrell, The Flick, The Hunchback of Notre Dame, The Minister’s Wife, The Nether, The Passenger, The Realistic Joneses, The Royale, The Soul of Motor City, The Wick Theatre, The World Goes Round, Theatre At Arts Garage, Theatre Lab at Florida Atlantic University, Thinking Cap Theatre, This Random World, Three Sisters of Weekhauken, Toddra Brunson, Tom Wahl, Wesley Slade, West Side Story, William Hayes
Audiences can marvel at the artistry from actor Rob Donohoe and director Lynnette Barkley in Palm Beach Dramaworks’ production of Tru, but the one-man bio-play about Truman Capote never quite touches the heart or coalesces narratively.
Sitting at a table in Palm Beach Dramawork’s rehearsal hall, Rob Donohoe doesn’t look or sound a thing like Truman Capote. He’s taller, his hair is brown and full and his voice is a warm baritone. But he and director Lynette Barkley have been cataloguing the external public celebrity and the internal tortured soul in preparation for the one-man drama Tru opening Dec. 2.