Tag Archives: William Hayes
Dramaworks’ Hayes & Beryl To Receive Carbonell’s Highest George Abbott Award
The Carbonell Awards recognizing excellence will bestow its highest honor, the George Abbott Outstanding Achievement in the Arts, to two of the founders of Palm Beach Dramaworks, married couple William Hayes and Sue Ellen Beryl.
A Century Later the Issues Remain in Dramaworks’ Camping With Henry and Tom
Thirty years ago, Mark St. Germain wrote a play Camping With Henry and Tom fictionalizing an actual meeting among Ford, Edison and President Harding. Given the politics, religion, racism, civic responsibility, and technology issues set in 1921, then the production at Palm Beach Dramaworks this month, he might have written it last week.
The Messenger at Palm Beach Dramaworks
By Oline H. Cogdill “The only thing necessary for evil to triumph in the world is that good men do nothing.’’ That quote, attributed to 20th-century German philosopher Hannah Arendt and, in other variations, to 19th century British philosopher John …
Dramaworks’ Devastating, Searing August: Osage County
You don’t want to go home again. Certainly, that’s the Weston family manse in the desolate prairie of Oklahoma as depicted in Palm Beach Dramaworks’ searing, devastating portrait of toxic family dysfunction in Tracy Lett’s masterpiece, August: Osage County, featuring as superb an ensemble as anyone could ask for, expertly molded by director William Hayes.
Dramaworks Takes On Ultimate Epic of Family Dysfunction: August: Osage County
Remarkable for raging family furor, recriminations, love, regret, pain and torrents of alcohol-fueled vitriol, August: Osage County is accepted as one of The Great American Plays. Palm Beach Dramaworks is deep into weeks of rehearsal for this epic three-act, three-hour comic-tragedy with 13 cast members, director William Hayes, and a creative team taking on a Mount Everest of theater
Dramaworks’ Belle of Amherst Celebrates The Glory of Words
Palm Beach Dramaworks’ The Belle of Amherst reveal Emily Dickinson not as the reclusive old maid you perceived in American Lit class, but as a passionate and joy-radiating genius who can gently skewer pretension with self-deprecating humor. Margery Lowe in a bravura tour de force and director William Hayes create Emily as a vibrant, witty, independent thinker so engaging that you want to adopt her as your new best friend.
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