Tag Archives: Karen Stephens
Maybe it’s walking under a Times Square marquee with his name emblazoned overhead. Maybe it’s being asked for his autograph at the stage door. Some new level of realization keeps hitting Christopher Demos-Brown on the cusp of becoming one of the first South Florida playwrights to have a work on Broadway when American Son opens Nov. 4.
In Zoetic Stage’s premiere Dracula, the vampire is a sexist pig (as are several men in the play). The protagonists are strong-willed proto-feminists. Together, they embody a society struggling with re-envisioning what self-empowered women can and should be. Michael McKeever’s script as directed by Stuart Meltzer presents social commentary told with droll, wry and self-aware humor, and the retelling of the classic horror narrative.
Palm Beach Dramaworks’ production of On Golden Pond is a pleasing charmer suffused with warmth and aided immeasurably by a skilled cast and director. It’s well worth an evening’s divertissement. But do not go expecting to the kind of vibrance you remember from the 1981 film because few actors are Katharine Hepburn and Henry Fonda.
Audiences sitting down this weekend to see Palm Beach Dramaworks’ production of the venerable play On Golden Pond will get a visual shock. It’s intentional, but not quite as originally planned.
One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
City Theatre’s production of Building the Wall opens with audio of then-candidate Donald Trump spewing some of his more incendiary anti-immigration rhetoric. The first line has yet to be spoken, and already you can feel your blood pressure start to rise.
Not every theatrical event has to be an outsized venting of passion filled with intellectual pyrotechnics. Sometimes a work can be satisfying to the brain and the heart as a gentle celebration of imagination and human behavior as with Pigs Do Fly’s world premiere of Michael Leeds’ Impressions.
Pigs Do Fly Productions — which has done mostly short plays by, for and about people 0ver 50 — has jumped even deeper into the play-ing field by presenting the world premiere of Michael Leeds’ Impressions, which opens this weekend.
City Theatre’s Summer Shorts, which only recently began showcasing musicals, includes three this year including one by Lin-Manuel Miranda.
The best art is a partnership between the creative mind and the viewer. That often requires the audience to expend some effort to get inside the artist’s mind or ethos or style. Witness the first full-fledged production of Allison Gregory’s Motherland at Theatre Lab, a tragedy shot full of the droll street humor.