Tag Archives: Karen Stephens

MND’s Bridge of San Luis Rey Is Highly Theatrical Journey

In this post-9/11 time, we ruminate even more than during the Black Plague about the seeming randomness of blind fate or God’s inscrutable will — and wondering is there a meaning to life. Those questions permeate a highly theatrical stage version of Thornton Wilder’s The Bridge of San Luis Rey — much of it re-told in rhyming verse — in an intriguing Miami New Drama production written by, directed and starring off-Broadway fixture David Greenspan.

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How Your Sausage Is Made in D.C.: GableStage’s Kings

Few plays have been as ruthlessly photographic depicting the pornographic incest of lobbying and corruption as well as the clash of idealism and pragmatism as Sarah Burgess’ Kings, currently on the dissection tray at GableStage.

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Dramaworks’ Fences Rages Against The Dying Of The Light

In Palm Beach Dramaworks’ triumphant production of August Wilson’s Fences, this Troy Maxson rages. Whether this physical kinetic Troy is delivering a defiant challenge to death, railing at the racial prejudice that has undercut his dreams, or privately excoriating his own guilt for making destructive choices — this Troy unleashes a lifetime of festering wrath in a basement barrel baritone.

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Powerhouse Actresses Serve Up A Century Of History In Having Our Say At Primal Forces

Having Our Say is likely the first play in which both of its characters are centenarian women of color. At Primal Forces’ regional premiere, this means two roles of uncommon heft and history for Karen Stephens and Avery Sommers.

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Now The National Leader, City Theatre’s Long History Championing The Short Play

For some who view two-part events on Broadway and five-hour epic tragedies as the height of the theatrical form, the 10-minute play is condescendingly tolerated as the poor relation at the arts table. But not in Miami. City Theatre, a home-grown company created by three colleagues around a kitchen table 23 years ago, has become the leading purveyor of short-form theatre in the country.

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A Floridian On Broadway: Demos-Brown And American Son

Maybe it’s walking under a Times Square marquee with his name emblazoned overhead. Maybe it’s being asked for his autograph at the stage door. Some new level of realization keeps hitting Christopher Demos-Brown on the cusp of becoming one of the first South Florida playwrights to have a work on Broadway when American Son opens Nov. 4.

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Dracula’s Prey At Zoetic: No Helpless Fainting Victims Here

In Zoetic Stage’s premiere Dracula, the vampire is a sexist pig (as are several men in the play). The protagonists are strong-willed proto-feminists. Together, they embody a society struggling with re-envisioning what self-empowered women can and should be. Michael McKeever’s script as directed by Stuart Meltzer presents social commentary told with droll, wry and self-aware humor, and the retelling of the classic horror narrative.

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On Golden Pond Is Pleasant Charmer At Dramaworks

Palm Beach Dramaworks’ production of On Golden Pond is a pleasing charmer suffused with warmth and aided immeasurably by a skilled cast and director. It’s well worth an evening’s divertissement. But do not go expecting to the kind of vibrance you remember from the 1981 film because few actors are Katharine Hepburn and Henry Fonda.

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Difference In Dramaworks’ ‘On Golden Pond’ Will Be Obvious

Audiences sitting down this weekend to see Palm Beach Dramaworks’ production of the venerable play On Golden Pond will get a visual shock. It’s intentional, but not quite as originally planned.

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A Last Look Back At 2017, A Fine South Florida Theater Season

One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”

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