Tag Archives: Tom Wahl
Efforts by City Theatre staffers to improve the consistency of its offerings has paid off: This edition of Summer Shorts is not only lushly and imaginatively produced with a noticeable extra bit of polish, but is more consistently funny and entertaining than any edition in recent memory.
Scott and Hem, an imagined reunion of Fitzgerald and Hemingway, is half comprised of deadly accurate insights into the angst of creative souls; the other half is just deadly dumps of name-dropping and exposition. A talented cast and director struggle to make the play at Actors Playhouse land solidly, and sometimes they succeed, but not always.
The snowbirds have gone home, but South Florida theater never seems to go dark these days. This year-round trend has never been clearer than right now with a calendar is jammed with an overwhelming cornucopia of options over the next two or three weeks. Here’s an incomplete overview:
Details on Theater League Holiday Party The time, date and place have been set for the South Florida Theatre League’s annual holiday party and membership meeting: 7:30-10 p.m. Monday, December 3, at the Copacabana Supper Club, 219 S. Andrews Avenue …
I Am My Own Wife is so fascinating and on so many levels that long after actor Tom Wahl ascends the short staircase and exits through the double doors at the end of the one-person play, there’s still much to ponder. Zoetic Stage’s production of Doug Wright’s fascinating character study of Charlotte von Mahlsdorf, a transvestite who survived the Nazis and Communists in East Berlin, honors this mesmerizing one-person play by treating it as gently as the antiques that we watch von Mahlsdorf caress and cuddle like fragile babies.
Audiences often marvel at actors’ ability to memorize long speeches and complex dialogue. But few memorization jobs are as daunting as that of I Am My Own Wife. When Tom Wahl stands alone for two hours in the spotlight in Zoetic Stage’s production this week, he not only portrays the elderly German transvestite Charlotte von Mahlsdorf, but a gallery of 36 distinct, disparate characters (or is it 37 or 34; Wahl and director Stuart Meltzer aren’t sure).
Theater Up Close, the series co-produced by the Arsht Center, has announced a 2012-2013 season partnering with the home-grown Zoetic Stage, the University of Miami’s theater department, the House Theatre of Chicago and, for the first time, the Alliance Theatre Lab of Miami Lakes.
Michael McKeever’s Moscow’s in its world premiere by Zoetic Stage in the Adrienne Arsht Center’s intimate Carnival Studio Theater is rich in so many ways with deep characters, dialogue that is quick and witty, and, for this production, a cast that couldn’t give more of its all. The only downside is that the mule in this Moscow is saddled with way too many burdens.