Tag Archives: Margery Lowe
Palm Beach Dramaworks’ The Belle of Amherst reveal Emily Dickinson not as the reclusive old maid you perceived in American Lit class, but as a passionate and joy-radiating genius who can gently skewer pretension with self-deprecating humor. Margery Lowe in a bravura tour de force and director William Hayes create Emily as a vibrant, witty, independent thinker so engaging that you want to adopt her as your new best friend.
A superb evocation of the soul of Emily Dickinson from actress Margery Lowe and director William Hayes marks the video co-production from Palm Beach Dramaworks and Actors’ Playhouse of The Belle of Amherst, filmed from live performances.
In this time of quarantine, subtle resonances echo the underlying thread of Emily Dickinson’s isolation in Palm Beach Dramaworks and Actors Playhouse’s co-produced filming of the live play, The Belle of Amherst. The one-woman play slated for an early April cyber-release focuses on a multi-faceted depiction of the legendary poet
Six months into the pandemic, theater artists are struggling with a profoundly damaging dimension particular to their purgatory-like limbo: The calling that gives their lives meaning requires interaction with other people in the same room. Late this summer, 33 South Florida storytellers agreed to draw back the curtain on their backstage battles that form the spine of an all too real three-act drama.
Home is the place where they have to take you in, to paraphrase Robert Frost. It’s also the place where every family dynamic plays out — love, resentment, growing pains, conflict, chaos, worry and secrets — as shown in the Maltz Jupiter Theatre’s superb production of Brighton Beach Memoirs, smoothly directed with a first-class cast, the Maltz production hits all the high notes
With the Maltz Jupiter Theatre’s upcoming Brighton Beach Memoirs, director J. Barry Lewis says people need to “come forward with a new perspective on what a Neil Simon play is, not just what you think.”
The world premiere of Joseph McDonough’s Ordinary Americans needs more work but it has enough promise and fine performances at Palm Beach Dramaworks that it’s worth the effort. The story of indomitable broadcast icon Gertrude Berg fighting the plague of the blacklist in the 1950s carries a clear warning to audiences today.
The House of Blue Leaves gets as funny and touching a production from Palm Beach Dramaworks as anyone can ask for. Its virtues include superb direction, a flawless creative team and a wall-to-wall cast of actor-clowns willing to bury themselves inside the off-kilter and flawed characters.
Edgar & Emily, the premiere at Palm Beach Dramaworks, is a fascinating and funny fantasia about Edgar Allan Poe visiting Emily Dickinson late one night dragging his coffin behind him. Joseph McDonough’s wry play examines sensitive introspective artists’ challenge to be fully alive in the ever-present shadow of death – an evening laced with copious quips and witty banter.
Emily Dickinson is huddling in her bed when Edgar Allen Poe barges into her bedroom pulling his coffin behind him. This is even stranger than it sounds since Poe is believed to have died about 15 years earlier. Such is opening of the world premiere, Edgar and Emily, opening this weekend at Palm Beach Dramaworks.