Tag Archives: Niki Fridh

Family Strife, Motherhood & Hope In Theatre Lab’s Tar Beach

The emotional cauterizing of an already withdrawn teenager by a family dynamic of furious fights and fierce sibling rivalry forms the core of Tammy Ryan’s Tar Beach, receiving a sensitive examination from Theatre Lab.

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Not Just For Kids, Theatre Lab’s Initial Family-Friendly Ronia Elevates And Inspires

Ronia, the Robber’s Daughter — the first offering of Theatre Lab’s family-friendly series — satisfies the parameters of youth theatre but with a pedigree that transcends its genre, a production bristles with imagination, wit and pathos that resonate across all generations.

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FAU Theatre Lab Reels Out Meta-Meta-Meta Revolutionists

Theatre Lab’s production of Lauren Gunderson’s The Revolutionists resembles a blindingly scintillating gem-like puzzle with an infinite number of moving parts that twist in on itself over and over endlessly.

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A Last Look Back At 2017, A Fine South Florida Theater Season

One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”

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Florida Road Trip Weaves From Off-Beat To Poignant In Peter Sagal’s Most Wanted

Most Wanted starts out like one of those wacky only-in-Florida tales, but as Peter Sagal’s world premiere at Theatre Lab, evolves the weirdness gives way to poignancy that eclipses the humor and reveals the heartfelt message.

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Thinking Cap’s Grounded Soars With Not-To-Be Missed Effort

Niki Fridh gives a tour de force performance under Nicole Stodard’s direction in Grounded at Thinking Cap Theatre

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What Kind Of Year Was It? Our Critics’ “Best Of” 2016 Lists

Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.

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Chekhov’s Sisters Waiting To Exhale In Beckett’s New Jersey

Deborah Zoe Laufer’s world premiere The Three Sisters of Weekhawken is, indeed, funny in its daffy way, but this imaginative mashup of Chekhov’s meditation on yearning refracted through Beckett’s existentialism and a shred of Neil Simon has a serious and eventually moving moral about the perils of paralyzing procrastination.

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Feeding The Bear Has Promise, But It Needs More Feeding

Feeding The Bear, a serio-comedy focused on caring for a father succumbing to Alzheimer’s (featuring a drag queen with a cooking TV show), has all the necessary ingredients for a tasty confection, but this work in progress hasn’t yet found the culinary magic to be a fully satisfying dish.

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Bawdy And Droll Evening of Shel Silverstein Shorts At Vanguard

But with one significant caveat, An Adult Evening of Shel Silverstein at the Vanguard lands most of the ten quirky gems of satirical and somewhat blue comedy with a skill, energy and polish missing from many local anthologies of 10 or 15-minute playlets.

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