Tag Archives: Niki Fridh
The Berlin Diaries at Theatre Lab a master class
By Oline H. Cogdill Families are complicated, comprised of people who may have little in common but bloodlines, sometimes weighted down by secrets, lies, myths. Add to that mix a horrific event, so horrible it’s hard to wrap one’s mind …
Tracy Jones Is Gentle Comedy of Lonely People Trying to Connect
Tracy Jones bowing at Island City Stage is a comedy masking lonely people trying to make connections they don’t have the skill to achieve. It’s a briskly-moving smile with quirky characters who may be nursing poignant secrets but who have no hesitation throwing food at each other like in a Three Stooges short.
Dramaworks’ Devastating, Searing August: Osage County
You don’t want to go home again. Certainly, that’s the Weston family manse in the desolate prairie of Oklahoma as depicted in Palm Beach Dramaworks’ searing, devastating portrait of toxic family dysfunction in Tracy Lett’s masterpiece, August: Osage County, featuring as superb an ensemble as anyone could ask for, expertly molded by director William Hayes.
Dramaworks Takes On Ultimate Epic of Family Dysfunction: August: Osage County
Remarkable for raging family furor, recriminations, love, regret, pain and torrents of alcohol-fueled vitriol, August: Osage County is accepted as one of The Great American Plays. Palm Beach Dramaworks is deep into weeks of rehearsal for this epic three-act, three-hour comic-tragedy with 13 cast members, director William Hayes, and a creative team taking on a Mount Everest of theater
Silence Is As Eloquent As The Actors In ‘To Fall In Love’
Despite two of the finest performances in what already has been a surprisingly benchmark season so far in South Florida, the most memorable player in Theatre Lab’s superb To Fall In Love is silence — not simply during the breath-arresting finale, but the silence reigning over the tense, tentative minutes of the opening scene and employed regularly throughout the evening by director Louis Tyrell and actors Matt Stabile and Niki Fridh.
Despite The 10-Foot Star, ‘Mastodon’ Not Just Child’s Play
Yes, there is broad humor, over-the-top characters, cartoonish sets, a fairy tale vibe and a 10-foot tall puppet, but Theatre Lab makes it clear that Rachel Teagle’s world premiere script of The Impracticality of Modern-Day Mastodons is not children’s theater, but an adult evaluation of dreams.
The Vision Is The Star In Highly Theatrical Curious Incident
Usually, Zoetic Stage’s director Stuart Meltzer’s deft work is almost invisible to audience members other than bringing a fresh vision to familiar titles. But his masterful work in The Curious Incident of the Dog in the Night-time is so clearly displayed that his reinvention becomes the “star” of the production.
Family Strife, Motherhood & Hope In Theatre Lab’s Tar Beach
The emotional cauterizing of an already withdrawn teenager by a family dynamic of furious fights and fierce sibling rivalry forms the core of Tammy Ryan’s Tar Beach, receiving a sensitive examination from Theatre Lab.