Tag Archives: Barbara Sloan

Pigs Do Fly’s ‘2 Across’: Strangers On A Train Of A Different Sort

Pigs Do Fly’s production of 2 Across is the story of two radically different but similarly lonely neurotic urbanites who meet on a pre-dawn San Francisco commuter train. They start as strangers on a train, but you can see the improbable inevitable bonding coming numerous stations ahead, no matter how seemingly incompatible they are in temperament.

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GableStage’s Admissions Asks Liberals What Happens When It’s Your Own Ox Being Gored?

GableStage’s Admissions is one of the more uncomfortable evenings of theater that avowed liberals and proud progressives will sit through any time soon. It holds up an unsparing mirror that asks whether such advocates will stay true to their ideals when the consequences directly affect them and their families.

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City Theatre To Send Its Work (And Local Actors) Around The World With ‘Shorts On Ships’

In a move that will spread the brand of Miami-based City Theatre around the world, the company begins this month producing collections of its short plays on Azamara Club Cruises luxury ships. The effort to maximize the extended use of its huge catalog of 10-minute plays represents what City Theatre sees a new producing prototype not just for itself but the theater industry.

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Impressions Is A Pleasant Stroll Through Gallery Of Imagination

Not every theatrical event has to be an outsized venting of passion filled with intellectual pyrotechnics. Sometimes a work can be satisfying to the brain and the heart as a gentle celebration of imagination and human behavior as with Pigs Do Fly’s world premiere of Michael Leeds’ Impressions.

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Michael Leeds Makes ‘Impressions’ With Pigs Do Fly

Pigs Do Fly Productions — which has done mostly short plays by, for and about people 0ver 50 — has jumped even deeper into the play-ing field by presenting the world premiere of Michael Leeds’ Impressions, which opens this weekend.

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With ‘Stalking the Bogeyman,’ GableStage Explores Taboo Subject With Unadorned Gravity

GableStage’s Stalking the Bogeyman, a true life tale of sexual abuse and revenge, stands out for its intelligence, bravery, sobriety and sheer darkness Buoyed by the raw sting of truth that great nonfiction provides, Bogeyman is more than a play. It’s a public service.

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Looking Back At South Florida Theater’s 2015: Taking Chances Financially And Artistically

2015 produced a wild variety of snapshots to paste in the theatrical scrapbooks: a male Dolly Levi, a homicidal dimwit slicing carrots, a kidnapper forcing her captives to learn nonsense, a tsunami engulfing a Japanese village, a green-gunked survivor of toxic sludge singing love songs to his blind librarian girlfriend. You know, just another year for regional theater in South Florida.

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Westfall’s Intriguing Premiere ‘Two Weekends and a Day’ Has Promise But Needs More Work

Susan J. Westfall’s Two Weekends and a Day at New Theatre is a classic example of a world premiere that has admirable virtues worth exploring further, but a serious need for more re-tooling.

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2014-15 Silver Palm Awards Announced For 27 Honorees

Twenty-seven theater artists and organizations will receive the eighth annual South Florida Silver Palm Theatre Awards honoring an outstanding or unique contribution,” the group announced Monday.

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Fine Cast Still Can’t Make Book Club Much Of A Page Turner

Professionalism is the only explanation why this much talent—the cream of South Florida theater from the director to the cast to the creative team — invested itself so deeply into the flawed frippery of The Book Club Play at Actors’ Playhouse.

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