Tag Archives: Matthew Korinko
‘Something Rotten’ Isn’t; It’s Hilarious For Musical Fans
In one of the most hilarious production numbers in recent musical comedy written specifically for musical fans, imagine: alternating lyrics among Shakespearean quotes, ribald puns and a chorus line holding up A Chorus Line’s resume photos.Slow Burn’s Something Rotten careens at Mach speed with the exuberant energy.
Slow Burn and Seymour Feed Audrey II One More Time
Don’t feed the plants! Once again, nebbishy Seymour just won’t listen, so we get another evening of wackiness in Slow Burn Theatre’s edition of Little Shop of Horrors.
Sorry, Can’t Resist: PPTOPA’s Gleeful ‘Something Rotten’ Isn’t
You don’t have to know that Sondheim and Webber share the same birthday to adore the broad send-up of musical comedy tropes melded with an equally wicked spoof of Shakespeare in PPTOPA’s Something Rotten — which isn’t.
Growing Fear In The People Downstairs Is All Too Familiar
Theater is often political: but sometimes, like The People Downstairs, Michael McKeever’s harrowing world premiere at Palm Beach Dramaworks, the relevancy of the Dutch people hiding the Anne Frank family only magnifies as current events overtake them.
Slow Burn’s Rock Of Ages Isn’t Your Grandma’s Musical
If there’s any way to get folks to the theater who don’t usually go, Slow Burn’s Rock of Ages can do it. Director/choreographer Patrick Fitzwater knows exactly how to squeeze every inch of character out of this cheesy, goo fest of a jukebox musical to entertain aforementioned non-theater types, who can’t wait to re-live the glory days of the 1980s, of which the soundtrack of the show relies.
Rockin’ Memphis Has The Rhythm and The Blues
Tight choreography, outstanding leads, a solid supporting cast and a fluid band infuse Slow Burn Theatre’s trip to Memphis. The rousing production hits the ground running in the opening scene set in a black nightclub in Memphis’ Beale Street area and doesn’t slow down until the last “Na, na, na, na” of the ovation.
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