Tag Archives: Matthew Korinko

Free Show Monday Of Snips Of Censored Plays & Musicals

What do Cabaret, Chicago, Fun Home, Almost Maine and Angels in America have in common? Somebody somewhere has banned their production at some point. To push back, Zoetic Stage and the Dramatists’ Guild Legal Defense Fund with the Adrienne Arsht Center is producing a free staged reading of Banned Together: A Censorship Cabaret at 7 p.m. Monday at the Carnival Studio Theater at the Arsht Center.

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Dramaworks’ 1776 Provides Lessons All Too Relevant Today

in these terrible times of violence, deprivation and polarization, the resonances in Palm Beach Dramaworks’ imaginatively reinvented production of 1776 are deafening. Amid the laugh lines, the dancing and the drama, there is a challenge to us across two and half centuries to deal with our current trials with the same virtues that our forefathers did.

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An Unusually Apropos 1776 For Our Times At PB Dramaworks

A deeply polarized citizenry, partisans with irreconcilable ideas about the role of government, a stalled deliberative body, confusion, anxiety. Sound familiar? The current political climate has spurred Palm Beach Dramaworks to reinvent that July perennial musical 1776 to highlight the similarities between us and the Founding Fathers in its production July 1-24.

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Romantic Same Time Next Year Remains A Charming Perennial

Charm, that most underrated of quiet virtues in a theater of brassy belters and in-your-face spectacle, suffuses the vagaries of a 24-year love affair in Broward Stage Door’s appealing revival of the gentle Same Time, Next Year.

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Slow Burn’s Spring Awakening Blossoms At Broward Center

Since you can understand the lyrics here better than in any previous production, Slow Burn Theatre Co.’s Spring Awakening, the powerful punch and pungent poetry come through with a clarity that elevates this edition over the others. It ranks among the troupe’s most polished, accomplished and effective work.

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Slow Burn Show Is Bittersweet Musical Of Romance, Romance

Despite the title , the musical Romance, Romance is not so much saccharine as bittersweet. In two playlets set in separate times, locales and social strata, we see true love blossom but ultimately surrender to socially-sanctioned cynicism or fidelity to an existing marriage. Slow Burn Theatre Company has found the groove connecting the disparate pieces in which love is precious but doesn’t always prevail.

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Looking Back At South Florida Theater’s 2015: Taking Chances Financially And Artistically

2015 produced a wild variety of snapshots to paste in the theatrical scrapbooks: a male Dolly Levi, a homicidal dimwit slicing carrots, a kidnapper forcing her captives to learn nonsense, a tsunami engulfing a Japanese village, a green-gunked survivor of toxic sludge singing love songs to his blind librarian girlfriend. You know, just another year for regional theater in South Florida.

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Ann Marie Olson’s Performance Rescues Stage Door’s ‘Gypsy’

Any production of Gypsy that spotlights Ann Marie Olson’s golden voice can be forgiven nearly anything. But otherwise, much of this production is as thin as the tinny tracks and high school quality scenery, and sits there as unenthusing as Electra’s intentionally lackluster bump-and-grind.

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Slow Burn Lands Really Big Fish In Bow At The Broward Center

With this production of Big Fish, Slow Burn Theatre Company has proven itself with no asterisks to be the equal of any company producing musicals in the region, some with far more resources, government grants and well-heeled donors — not to mention among the most adventurous in tackling what few others attempt.

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Slow Burn Theatre Is Ready For ‘Big’ Move To Broward Center

After five years of staging its shows in a high school auditorium in West Boca, Slow Burn Theatre Company moves to the Broward Center for the Performing Arts with its season opener, the largest-scale Big Fish.

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