Author Archives: Bill Hirschman

Slava’s Snowshow At The Arsht: Winter Is Coming — In July

For the third time in nine years, a blizzard is raging inside the Arsht Center in the middle of a blazing summer as Slava’s Snowshow returns and you once again will be picking white stuff out of your hair even if you sit in the back row and finding flakes in your clothing hours later at home.

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Orwell’s Prescient Novel Is Prime Virtue Of Outre’s 1984

The prescient genius of George Orwell is the blinding virtue in Outré Theatre Company’s earnestly delivered but sluggish production of the painfully relevant 1984. It remains jaw-dropping that Orwell foresaw in 1949 a nightmare of social, political, emotional, intellectual and technological insanity whose resonances in 2017 are deafening.

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Beauty In The Eye Of The Beholder: McKeever’s Finding Mona Lisa At Actors’ Playhouse

The world premiere of Michael McKeever’s Finding Mona Lisa at Actors Playhouse initially might seem a light, fascinating beach read about Leonardo DaVinci’s masterpiece — a sometimes droll, sometimes broad comedy for a summer evening. But this episodic time-travelling romp is far more about the multi-faceted relationship of Art and human beings

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A Bloody Good Sweeney Todd Erupts At PB Dramaworks

Homicidal rage against a corrupt world spews into the audience in Palm Beach Dramaworks’ Sweeney Todd. But its singular spin is that the serial throat-slitting barber does not start as a vengeance-obsessed fiend. It it adds a dimension of, not forgiveness, but compassion to this cross between gleeful Grand Guignol and merciless condemnation of socio-economic inequity.

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Attend A Slightly Different Sweeney Todd At Dramaworks

Those who love Stephen Sondheim and Sweeney Todd in particular should come with an open mind to this month’s edition at Palm Beach Dramaworks expecting a different spin on the material.

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New City Players’ Twelfth Night Is Midsummer Night’s Dream

Merriment is a word we don’t use much in the 21st Century, but that is the precise adjective to reflect the madcap abandon, tireless physical comedy and unflagging enthusiasm that makes a success of New City Players’ edition of Twelfth Night.

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Minnie’s Boys Is Old School Musical Of The Marx Brothers

Minnie’s Boys is a light comic highly homogenized version of how stage mother Minnie Marx utzed, kvetched and kibbitzed her five sons to transform from a doomed vaudeville singing group to, well, The Marx Brothers.

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Florida Sinks Under Water In Mad Cat’s Satirical Firemen

With Fireman Are Rarely Necessary, this world premiere of a socially satirical comedy falls solidly in the anarchic absurdist vibe with grunge icing championed by Mad Cat Theatre Company.

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Report From New York: It’s Worth A Trip To Ride The Blazing Comet With Pierre & Natasha

It’s difficult to say if the music and lyrics of Natasha, Pierre and the Great Comet of 1812 are noteworthy, but they are overwhelmed by a production and performances arguably beyond nearly anything you have seen on mainstream Broadway for its seamless confluence of bottomless imagination, theatricality, density and energy.

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Michael Hall, Pioneering Co-Founder Of The Caldwell Theatre, Dead At 77

Caldwell Theatre co-founder Michael Hall, among the pioneers who transformed a fledgling theater scene focused on molding warhorses and built it into a vibrant regional force embracing challenging work, died June 15 from pancreatic cancer at age 77, it was announced Sunday.

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