Author Archives: Bill Hirschman

Fascinating But Flawed Fake Makes Promising Debut

Passions erupt as art, commerce and international politics collide and conflict in the world premiere of Carmen Pelaez’s intriguing Fake at Miami New Drama. This play centering on a possible forged masterpiece about to be auctioned needs a good deal of additional work, but its promise gleams and begs for further productions.

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Thinking Cap Unleashes The Wild Ambition of Dance Nation

Dare your adult to take your inner child to see Dance Nation at Thinking Cap Theatre in which adults play teenagers prepping for a competition. Were a prize given out today for Best Ensemble, the cast of Dance Nation would take home a trophy.

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Next To Normal At Riverside Is Far More Than Just Normal

One of contemporary theater’s most powerful rock operas, Next to Normal, concerns a family dealing with the mother’s bipolar disorder. And you have the opportunity to see this Tony Award and Pulitzer Prize-winning phenom in a strong production on Riverside Theatre’s intimate Waxlax Stage.

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GableStage Mounts Its Unique Passionate Take On Indecent

GableStage’s rendering of Paula Vogel’s Indecent is freshly distinctive from Rebecca Taichman’s New York staging and from the rapturously received version that Palm Beach Dramaworks delivered last season. It’s not better or worse; it is its own. And its quality takes a back seat to no one.

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One Man, Two Guvnors Is Entertaining If A Bit Long

There are probably 27 synonyms for the word funny and 157 familiar tropes. All the words apply and all the classic bits can be found in Actors’ Playhouse’s farce One Man, Two Guvnors.

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The Vision Is The Star In Highly Theatrical Curious Incident

Usually, Zoetic Stage’s director Stuart Meltzer’s deft work is almost invisible to audience members other than bringing a fresh vision to familiar titles. But his masterful work in The Curious Incident of the Dog in the Night-time is so clearly displayed that his reinvention becomes the “star” of the production.

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Maltz Let’s Mamma Mia! Sing Keeping Stage Version Intact

The Maltz Jupiter Theatre’s Mamma Mia! gets its mojo from a strong, consistent cast to carry out the sitcom-esque plot that is held together as if by taffy – twenty 1970s radio hits that are ingrained in pop culture.

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SoFla Symphony Delivers Many High Notes With Porgy and Bess

If there is one disappointment about the South Florida Symphony’s ambitious staging of Porgy and Bess it is that there aren’t more opportunities to see the production. The Wilton Manors-based symphony scheduled only three performances and the third Wednesday, Jan. 23 at the Broward Center for the Performing Arts, where a grand gala will close the run.

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Wick Actress’ Funny Girl Gives Fanny Her Own Endearing Stamp

Few theatrical challenges are as a daunting as actor taking on an iconic role made unforgettable by an inimitable talent in a career-making performance engraved in the popular consciousness. But actress Stephanie Maloney has surmounted that peak in her unassailably solid and personalized incarnation of Fanny Brice in The Wick Theatre’s Funny Girl.

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‘Bette & Barry’ Entertains, But Where’s The Story?

Bette & Barry: From Bathhouse to Broadway at Island City Stage is an imagining of if Midler and Manilow decided to do a concert together. In real pop history, they never have. This revue is strong in their greatest hits, separately and collectively, but there’s no narrative.

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