Reviews
Outré’s Mr. Marmalade Is An Acquired Taste, Perfect for Savvy Theatergoers
Outré Theater Company goes out on a limb for Mr. Marmalade and for savvy audience members who want to be challenged, it couldn’t be more smartly satisfying.
Mae West Play, Dirty Blonde, Doesn’t Quite Seduce At Plaza
The Plaza Theatre’s production of Dirty Blonde, a story of the blessings and curse of celebrity as seen in the life of Mae West, is similarly a conundrum of contradiction – the cast delivers appealing performances, but the play never captures the sex symbol’s blissful bawdiness and nova-like lifeforce that has invigorated other editions.
New Theatre’s Look At Saturday Night Live Not Ready For Prime Time Never Peaks
New Theatre’s debut of the new, locally written work, Not Ready for Primetime, has a way to go before it is actually ready for prime time
Juan C. Sanchez’s Disturbing Collection Of Playlets Is Anything But Paradise
Juan C. Sanchez’s Paradise Motel begins in the clouds and ends in the sewer. Charting five decades in the devolution of a fictional motel on Calle Ocho—and the parade of lovers, hustlers, sharks and addicts that have occupied its rooms—this collection of seven playlets presents an uncompromising vision of urban decay that will ring wincingly true for its Miami audience
Heirs Behaving Badly: Dividing The Estate May Be Familiar
Plenty of laughter greets every witticism and absurdity in Palm Beach Dramaworks’ production of Dividing The Estate, Horton Foote’s acidic depiction of greed, jealousy and family. But through the laughter, you either silently thank God you don’t know these people or you curse fate that they are way too familiar.
Brothers Of The Dust Benefits From Strong New Writer’s Voice
Earth, fire and blood mix with resentments, loyalties, betrayals, secrets and love in M Ensemble’s Brothers of the Dust. The production and performances veer from moving to stilted. But nothing can dim the consistent underlying glow of the script by young playwright Darren Canady whose vision and voice are unusually promising.
American Idiot’s Lyrics Are Often Unintelligible, But The Show Is Entertaining and Powerful
Buried under the profligate volume and frequently unintelligible lyrics, American Idiot remains entertaining for the unflagging energy of its performance and the power of its raw material, all rooted in youth’s millennial-old anger at the despoiled world they have been handed.
Slow Burn Prevails Over Difficult Chess Match
Slow Burn Theatre Company has once again tackled a difficult show in Chess that few if any Florida companies would attempt. And once again, it has come out the victor, at least as victorious as any production can be of this work that divides audiences.
Zoetic And McKeever Skewer Hollywood As A Cesspool In Clark Gable Slept Here
Death, drug overdose, murder, lies, hypocrisy, soulless creatures willing to do absolutely anything for greed and glamour – you really shouldn’t be laughing this much or this hard. But after all, it’s Hollywood in Michael McKeever’s hilarious new play Clark Gable Slept Here getting its world premiere at Zoetic Stage.
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